More news, more gossip, more stars, and more award show dates than you ever wanted to know

OUR TOWN: Music master Paul Hoffert and sidekick Bruce Cassidy host a jazz salon this Sunday afternoon at Musideum on Richmond Street west …

LIGHTSTONE: new showecase

30 Rock scene-stealer Tracy Morgan brings his special brand of funny to the Sony Centre tonight … Marilyn Lightstone premieres her latest art showcase, New Directions, on April 12 at Latitude 44 … more than 60 chefs will gather at the Royal Ontario Museum on June 3 to showcase their finest creations in support of Second Harvest. Tickets are $250 with a tax receipt issued for $125. You may think that sounds a bit pricey, but be warned: Tickets to last year’s Toronto Taste sold out in record time. To purchase yours, click here …  and Natalie Cole is set for this year’s TD Toronto Jazz Festival with a June 25 concert at the Sony Centre.

PENMANSHIP: Additional marquee bait set for the third annual Toronto Screenwriters Conference at the Ted Rogers School Of Management next weekend (March 31-April 1) include ex-Toronto types Graham Yost (Speed,

CLOONEY: Sunshine boy

Justified) and Robin Gurney (Arrested Development, Parenthood) and Skype participants Abi Morgan (Shame, The Iron Lady) and Michael Hirst (The Tudors.) Closing speaker at this year’s creative clambake will be Lee Aronsohn (Two and a Half Men, The Big Bang Theory.) Sounds like a pretty lively weekend … say what you will about the politics of the Toronto Sun, the headline writers at the Little Paper That Grew are still the best (and consistently most irreverent) in the country. The Sun’s front page pic of George Clooney in handcuffs last Saturday was captioned You Have The Right To Remain Handsome. Now that’s funny … by the way, Sun co-founder and columnist Peter Worthington, still typing up a storm, is now 85 (!!!) And Worthington’s latest boss, Quebecor emperor Pierre Karl Péladeau, recently announced new annual Sun Media awards for his newspapers outside of Quebec. Will there be a prize for CBC-slagging? Just askin’ … and here’s one for your calendars: The 9th annual gala fundraiser for Pierre Berton’s writers’ retreat in the Klondike will celebrate the Canuck victory of 1812 with a festive June 5 bash at old Fort York. Berton House clambakes are always a blast, and this one should be no exception … and speaking of good writing, the justifiably-lauded screen version of Mordecai Richler’s Barney’s Version premieres Sunday night on CBC, and the much-anticipated fifth season of Mad Men kicks off Sunday on AMC. That is, if you can tear yourself away from Canada’s Got Talent on Citytv. And the beat goes on.

CALENDAR JOTTINGS:  Next big award show on our horizon is the 2012 Tony Awards. Nominees will be announced May 1
live on TonyAwards.com and CBS will host the three-hour 66^thAnnual Tony Awards telecast on Sunday

GERVAIS: will he be back?

June 10 …  the 27th Annual Gemini Awards’ Industry Galas are set for Tuesday August 28 and Wednesday August 29. CBC will host the Broadcast Gala on Wednesday September 5, the night before the 37^th annual Toronto International Film Festival begins its time-honoured 10-day movie marathon on Thursday September 6 … 2012 Emmy nominees will be announced July 29, with ABC hosting the 64^th annual PrimeTime Emmy Awards on Sunday September 23 … and before you know it we do it all over again in 2013, starting with the 70^th annual Golden Globes, with or without Ricky Gervais, on Sunday January 20 on NBC, the Screen Actors Guild Awards on Sunday January 27, the Directors Guild Awards on Tuesday February 5, and the 85^th annual Academy Awards, with or without Billy Crystal, on Sunday February 24 on ABC.

STREISAND: Queen of Columbia

SHARPS ‘N’ FLATS: Soprano-turned-director Catherine Malfitano and world-renowned conductor Sir Andrew Davis are joining forces for the Canadian premiere of Alexander Zemlinsky’s A Florentine Tragedy and the return of Giacomo Puccini’s Gianni Schicchi, an extravagant double-bill opening April 26 for eight performances at the Four Seasons Centre. Since both one-act operas are set in Florence, expect some eye-catching cityscapes from set designer Wilson Chin, costume designer Terese Wadden and lighting designer David Martin Jacques… first headliners announced for the 46^th edition of the

FEORE: hosting

Montreux Jazz Festival are Noel Gallagher’s High-Flying Birds, who are now set for a July 4 gig at Auditorium Stravinski. Gallagher says he and his band will perform songs from their first CD as well as some favourites from his previous band, Oasis … when they were the fast-drivin’, rubber-burnin’ Dukes Of Hazzard, who knew they could sing? But three decades later John Schneider and Tom Wopat are still warbling and obviously not superstitious. They’re set to play Fallsview Casino showroom on Thursday April 12 and – wait for it — Friday April 13 … in celebration of the company’s 60th anniversary season, The National Ballet of

GALLAGHER: High-Flying gig

Canada Orchestra will make their concert debut at Koerner Hall on Tuesday April 3. Colm Feore will host the event, and the Orchestra will perform select works that highlight each decade in the company’s 60-year history … and how many of us made deals that last for half a century? Barbra Streisand is celebrating her upcoming 50^th year with Columbia Records – her one and only label – by signing a new contract with the Sony-owned label. Only Tony Bennett has been on the label longer. Columbia will celebrate her signing by releasing a 12-set DVD which promises unprecedented access into Streisand’s professional and personal life, including never before seen footage directly from her archives. Streisand’s most recent Grammy nominated album, What Matters Most, was her 31st to reach the Top Ten.

AND NOW, THE WEEKEND WEATHER FORECAST:

Happy weekend.

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Cinema on the high Sees: How to save a village, a top Oscar candidate and a Churchill surprise

SOMEWHERE AT SEA: Yesterday was a beautiful day on the Atlantic ocean –warm, sunny, inviting — on the splendidly comfortable cruise ship called the Seabourn Sojourn. So naturally we spent most of it inside in the dark. But then, what else would you do on the 12th Floating Film Festival? On days when we’re at sea, we see three films. On days when we are in a port, we only screen two.

WHERE DO WE GO NOW at FFF 12

Yesterday was a three-film day, starting with a 9:30 am screening of Where Do We Go Now, a film by Caramel writer-director Nadine Labaki, about a group of Lebanese women who try to ease religious tensions between Christians and Muslims in their village. Selected by Floating Film Festival programmer Hannah Fisher, unfortunately sidelined at the last minute by foot surgery, Labaki’s film came to us with solid credentials, having already won Audience awards at film festivals in Oslo, San Sebastian and TIFF. It’s not hard to see why. Introduced by Cinefranco filmfest chief Marcelle Lean, the film is a bizarre, strangely engaging mix of pop music, death and destruction, and was very well received by our dedicated band of early-morning moviegoers.

FOOTNOTE: Oscar nominee for Best Foreign Film

After lunch we screened our second film, Footnote, which came to us with even more dazzling credentials – it swept last year’s Israeli Oscars, picked up Best Screenplay at Cannes, and was cited as one of the top foreign language films by the National Board of Review – not to mention its nomination for Best Foreign Film at Sunday night’s Oscar giveaway. Writer-director Joseph Cedar creates a scenario in which a father and son are rival professors in Talmudic Studies. When both men learn that the father is about to be lauded for his work, their complicated alpha-male relationship gets even more complicated. What makes it particularly fascinating, for me at least, is the concept of self-sacrifice — as in , no good deed goes unpunished.

CHURCHILL: Unexpected champion of Israel

Before dinner we screened our third film of the day, a documentary originally made for television by Floating filmfest commander and filmmaker Barry Avrich (The Last Mogul, Unauthorized: The Harvey Weinstein Project) and one which is seldom seen on the big screen. An Unlikely Obsession: Churchill And The Jews is a powerful celluloid spin-off of a book by Churchill biographer Sir Martin Gilbert, and details Churchill’s ultimate and unlikely obsession in becoming a supporter of Jewish causes — most notably being responsible for determining the future status of the Jewish National Home in Palestine. It’s an intriguing story, and one which both surprised and pleased Floating Film Festival patrons last night, and one which should intrigue American audiences when it premieres in the USA in May.

Today we are scheduled to see three more films: Darling Companion, from Big Chill director Larry Kasdan; Woody Harrelson’s controversial new drama Rampart; and Exporting Raymond, in which the creator of the hit TV series Everybody Loves Raymond goes to Moscow to try to help produce a Russian version for Soviet TV.  So, as we say in TV Land: Stay tuned.

DEFINITELY OVER THEIR HEADS: DNTO host Sook-Yin Lee and her guests take a dive in “over their heads” at a special live recording of CBC Radio One’s Definitely Not The Opera tonight at the Tranzac Club on Brunswick

LEE: over her head

Avenue in Toronto. Scheduled guests include Little Mosque on the Prairie creator Zarqa Nawaz, As It Happens host Carol Off, writer/performer James Gangl, comedian Ron Josol and writer-performer and motivational speaker Deborah Kimmett – all of whom will share real-life stories about how they found themselves truly in over their heads. Musical guests are Corin Raymond (crowd-funding his newest recording with Canadian Tire money donated by his fans!) and Montreal-based Little Scream. Admission is free. You can reserve a ticket by emailing CBCtorontocommunity@cbc.cawith DNTO in the subject heading … and in one of the most anticipated shows of their high-rated season, the Dragons leave their

OFF: Definitely Not

studio tonight to catch up with memorable entrepreneurs who once braved the Den. This special edition of Dragons’ Den promises to reveal what’s happened to your favourite pitchers, track down the most memorable disasters and catch up with some of the biggest success stories in the show’s history, tonight at 8 pm on CBC Television … and calling all Lighthouse fans! The band that am (and continues to be) plays tonight at Casino Nova Scotia, tomorrow night at the Confederation Centre of the Arts in Charlottetown, Friday night at The Playhouse in Fredericton, Saturday night at the Imperial Theatre in Saint John NB, then on to Ontario to play March 9 at the Sound Academy in Toronto, March 10 at the Opera House in Orillia and April 4 at the Richmond Hill Arts Centre. And yes, they still meet with their fans in the lobby after the show. So catch ’em while you can!

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Billy rocks the Oscars — imagine our surprise — and Dusty Cohl’s floating filmfest sails again

CRYSTAL: Welcome home, Billy!

JUST A SIMPLE BOY WITH A DREAM: Yes, I watched last night’s Oscarcast. Just me and another billion people. And yes, it went on too long. It always does. But it was a splendid reminder of why we’ve missed Billy Crystal. Let’s hope Academy chief Tom Sherak can coax him to return next year.

BENJAMIN: filmfest honouree

ANCHORS AWEIGH: The one-and-only (as far as we know) Floating Film Festival sails from Fort Lauderdale today on a week-long movie cruise of Caribbean islands. Launched  by Toronto filmfest co-founder Dusty Cohl, and kept afloat after his death by filmmaker Barry Avrich, festival programmer Hannah Fisher and travel magician Rosemary Durham, this 12th (!!!) edition will visit San Juan, St. Barth’s, Antigua and the Virgin Islands while unspooling 15 new and classic films. Among this year’s gems is the hit 1969 drama Goodbye, Columbus, with stellar performances by Richard Benjamin and Ali MacGraw. Highlight of the voyage is expected to be an evening tribute to Benjamin, who will be accompanied on the cruise by his wife

REED: all at sea

Paula Prentiss. (More on the Benjamins as it happens.)  Also on hand to kibbitz and chide FFF 12 filmgoers are the film critics for the Chicago Tribune and New York Observer — respectively, Michael Phillips and Rex Reed (yes, that Rex Reed.) Tonight’s opening film is Dori Bernstein’s stunning biography of Broadway legend Carol Channing.  (More on that tomorrow.)

LINEHAN ON LINE:  Legendary interviewer Brian Linehan was one of the original Floating Film Festival crew members, interviewing stars on stage and usually making the voyage more exciting for all concerned. Good news is that, at

LINEHAN: on line at last

long last, dozens of Linehan’s television interviews are now on line for the whole world to see. Go to www.brianlinehan.ca and you’ll find hours of memorable moments with Daniel Day-Lewis, Mark Harmon, Bette Midler, Leah Pinsent, Christopher Plummer, Isabella Rossellini, Elaine Stritch, Kiefer Sutherland, James Spader, Barbra Streisand, Steven Spielberg and many more.  The three major organizations behind the website — the Brian Linehan Charitable Foundation, the National Screen Institute (NSI) and the Toronto International Film Festival (TIFF) – have done a remarkable job of putting it together. Says TIFF CEO Piers Handling: “Brian was the celebrity journalist everyone wanted to talk with, and we’re proud to be able to preserve and digitize some of those incredible interviews to be enjoyed by the public via the new website.”  We couldn’t agree more.

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Midnight In Paris may not win another Oscar for Woody — but that poster is definitely a keeper

SUITABLE FOR FRAMING: All will be revealed this weekend on Sunday night’s  Academy Awards telecast — but if they gave out Oscars for movie posters, the Van Gogh version of Woody Allen’s Midnight In Paris would get my vote hands down. It really is a beauty, and so evocative of the spirit of the film.

I mean, how cool is this? Really. I’m sure Woody will survive without winning more gold statuettes; he already has plenty. And the fact that Midnight In Paris is his biggest hit in years has gotta be the best consolation prize of all. By the way, not all Woody fans get to enjoy the same poster we do. Different countries market films in, well, different ways. As you can see. Oddly enough I have no desire to frame this one. But hey — different brush strokes for different folks.

YET ANOTHER REASON WHY WE LOVE LIZ SMITH: Has Manhattan gossip queen Liz Smith had her final say about Whitney Houston’s demise? We hope not. “No matter what Whitney might have abused in the past,” she wrote last week, “reports indicate that there were no illegal drugs found in her hotel room. Or in her body — believe me, TMZ would have headlined that. Whitney apparently died of an accident that has probably claimed a thousand American lives since Saturday. Too much drinking the night before, anxiety and a hangover the next day. Pop a Xanax (or anything to relax and relieve stress.) You don’t mean to, but you’ve just killed yourself.

SMITH: how Whitney died

“The legalization of marijuana or cocaine or meth have nothing to do with the circumstances of Whitney Houston’s death,” says Liz. “She didn’t die with a needle in her arm, or a crack pipe nearby. When TMZ obtained photos of the bathroom where she died, what terrible thing was revealed? There was a gravy boat, filled with an oil Whitney was using to soften her skin as she bathed. (The terrible thing is that they received these heartbreaking photos and ran them.) Police also said that Whitney possessed less prescribed medication at the time of her death than most ‘regular’ people.” Point taken. Let he who possesses an empty medicine cabinet throw the first over-the-counter pill.

YESTERDAY WHEN WE WERE YOUNG:  Try as I might, I can’t quite get my head around the fact that it was 40 years ago – four decades, folks – when Veronica Tennant danced that mind-boggling Rose Adagio choreographed by

NUREYEV & TENNANT

NUREYEV & KAIN

Rudolf Nureyev for the National Ballet’s headline-making premiere of The Sleeping Beauty. Then-aspiring prima ballerina Karen Kain danced it too, and next month Heather Ogden will follow in their bruised and tortured footsteps when she costars in Sleeping Beauty with her husband, high-flyer Guillaume Côte, who by the way will receive the Medal of the National Assembly of Québec tomorrow at the Parliament Building in Québec. Kain, now artistic director for the NBOC, acknowledges that the Rose Adagio her pal Nureyev created for the company “is one of the most athletically difficult versions in the world. This version is extremely challenging, for both Princess Aurora and the Prince.” But she’s very excited about seeing ballerina Ogden dance the role, she says, “because in addition to everything else, Heather has a powerful physicality. I think Rudolf would have loved her.” Ms. Ogden has her own thoughts on her new role, which she is still rehearsing as you read this. For a sneak peek at rehearsals, click here.

THEY GET BY WITH A LITTLE HELP FROM THEIR FRIENDS: Even when I was a film critic — come to think of it, especially when I was a film critic — I was always confused about the Academy Awards. Especially whenever I disagreed with the choice of nominees and/or winners. That is, until Ingrid Bergman straightened me out. Said the iconic Ms. Bergman, a three-time Oscar winner herself:  “We don’t care what you think.”

DAVIS: Oscar nominee

Pardon? “We don’t care what you think,” said Ms. B, flashing her legendary enigmatic smile. “You play the critic every day of the year. This is our one night to play critic. This is our one chance, once a year, to vote for who we think did the best job. So we don’t care what you think. This is one night when your vote doesn’t count.”  A few years later I was on the phone talking to song-and-dance queen Ann Miller, “I have to go now,” she said – “I’ve got to finish filling out my Oscar ballot.”  “Really!” I said. “Do you know who you’re voting for?”   “What a question!” she laughed. “My friends, of course!”

Who’s gonna win this Sunday? If they vote for their friends, it will probably be George Clooney, Meryl Streep, Nick Nolte and Octavia Spencer. If they vote for performances, it will probably be Jean Dujardin, Viola Davis, Christopher Plummer and Jessica Chastain. But either way it will probably be quite a show. Enjoy!

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Look, boys and girls, it’s THE RICK MERCI REPORT! … and no, that’s not a typo

BUT FIRST, TAKE A LOOK AT THIS: Canada’s most-watched man, Newfoundland export Rick Mercer, is slated to receive the 2012 ACTRA Award Of Excellence this weekend — yet another trophy to add to his countless Geminis,

HMMMM ... who's the guy with Bonhomme?

honorary doctorates and other accolades.  His weekly Rick Mercer Report, appointment viewing for thousands of Canadian families, is now in its 9th season, and neither he nor the show are showing any signs of slowing down.  How famous is he? So famous, apparently, that he and his show will soon be parodied by Kids’CBC. Yes, the home of cooking yam Mamma Yamma and singing dinosaur Drumheller is about to introduce its own Rick Merci Report, with another Maritimer, Saumon de Champlain, playing Rick. (Aside from his French accent and his vintage

DE CHAMPLAIN: casting coup

wardrobe and the fact that m’sieu de Champlain is, how you say it, a fish — hey, they could be twins.) Never mind — this we gotta see. Let’s hope the Merci Report attracts as many viewers as the original. More than one million Canadians tune in to Mercer’s Tuesday night telecasts, and an additional half million watch the same-week encore broadcast on Friday night. Mercer’s on the move again tonight, ice canoeing (brrrrrr!) at the Quebec the Winter Carnival and checking out Warming Hut installations (including one by Frank Gehry!!) at the Forks (brrrrrr!) in Winnipeg. And yes, there’s a Zamboni involved. And yes, it’s very funny stuff.

QUOTABLE QUOTES: “I think Margaret Atwood once said, ‘Wanting to meet an author because you like his books is like wanting to meet a duck because you like paté.’ ”

ATWOOD: It's Payback time

The speaker? Filmmaker Ethan Coen, at a film seminar in China last year. And speaking of film and Ms. Atwood,  look for her new collaboration with filmmaker Jennifer Baichwal, Payback, to premiere at TIFF Bell Lightbox next month. Baichwal and Atwood christened their new celluloid baby, based on Atwood’s 2008 bestseller,  to much ooohing and aaahing at Sundance last month. Insiders say Atwood on-screen is almost as fascinating as Atwood off-screen, and if that’s true Payback should really be something to see.

OUR TOWN: The National Film Board launches its salute to the National Ballet’s 60th anniversary season tonight with a week-long series of dance on film at the NFB Mediatheque on John Street. First up:  Celia Franca: Tour de

PINA: Oscar contender

Force  by Veronica Tennant, who will speak following the screening. An archival display highlighting the past 60 years of the National Ballet and an interactive station where visitors can watch a dance and film playlist will also be offered onsite … Amy Nostbakken opens her controversial one-woman show, The Big Smoke, at Factory Studio Theatre tonight. Already a hit in the U.K., the play is reportedly inspired by the lives of Virginia Woolf and Sylvia Plath and is described as a “poetic waltz with death which walks a fine line between sanity and psychosis.”  Sounds like tons o’ fun  … getting the

THOMPSON: one night only

urge to go Oscar-ing before Sunday’s Academy Awatds telecast? You can catch two major nominees at TIFF Bell Lightbox this week – Philippe Falardeau’s rave-winning drama Monsieur Lazhar, up for Best Foreign Film, and Wim Wenders’ eye-popping salute to dance great Pina Bausch, Pina, currently a strong contender for Best Documentary … and Scott Thompson brings back coy barfly Buddy Cole for a one-show-only appearance this Friday at Maggie Cassella’s Flying Beaver Pubaret on Parliament Street.

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