Tag Archives: Phil Rosenthal

Tracie brings Judy back to Broadway, Kal takes a flyer on a pilot, and Mother D gets her nun on

CASTING ABOUT: Brit sensation Tracie Bennett brings her Olivier award-winning talents to Broadway on  March 19 when she opens at the Belasco with her controversial portrayal of Judy Garland in the  West End musical

BENNETT: as Garland

hit End Of The Rainbow … popular German TV presenter Barbara Schöneberger will host the Rose d’Or Awards Ceremony on May 10 in Lucerne … Kristin Kreuk has been set as the lead in the CW pilot Beauty and the Beast, a remake of the CBS series from the late ‘8Os … and Harold and Kumar star and House alumnus Kal Penn is set to star in the ABC comedy pilot Prairie Dogs.

MEANWHILE, BACK ON THE ATLANTIC OCEAN:  This year’s Floating Film Festival sailors started their day yesterday with a fluffy croissant of a movie — Darling Companion, from Big Chill filmmaker Lawrence Kasdan.  Ostensibly about a lost dog, it’s really a gentle look at the different stages of male-female relationships and the emotional baggage we carry with us from childhood. And what a cast — Diane Keaton and Kevin Kline –Rex Reed, who introduced the film, pointed out that this is Kevin Kline’s sixth outing with Kasdan — Dianne Weist and Richard Jenkins, Elizabeth Moss from Mad Men,  screen enigma Sam Shepard and more.

KEATON & FRIEND: going to the dogs

Thanks to Rex, our afternoon screening was a bit of a mind-bender.  Remember Dolores Hart, the actress who co-starred with Paula Prentiss, Yvette Mimieux and Connie Francis in Where The Boys Are? Some 47 years ago the fair Ms Hart left showbiz  to take holy orders. She’s now Mother Dolores at a cloistered convent in Bethlehem, Connecticut, and is the subject of the Oscar-nominated short God Is The Bigger Elvis. Knowing that Mother D’s chum Paula Prentiss would be on board with husband Richard Benjamin, Rex brought a copy of the film for all of us to see. Fascinating to hear Mother Dolores — now the Prioress of the Regina Laudus Abbey — reflect on her Hollywood screen life with Anthony Quinn, Montgomery Clift and, yes, Elvis himself. Even more fascinating was meeting the beau she left behind — Edith Head had already designed her wedding dress — and seeing his relationship with her today.

HARRELSON: all too convincing

The 26-minute short film was a stark contrast to the Woody Harrelson shocker Rampart, a somewhat relentless saga of a corrupt cop that proved to be a tough slog for many of us. Harrelson is all too convincing as the flawed protagonist, and he gets great back-up by a dazzling cast of supporting players, including Ned Beatty, Steve Buscemi, Ice Cube, Anne Heche, Audra Macdonald, Cynthia Nixon, Sigourney Weaver and Robin Wright, each of whom make the most of their material. Not exactly a good time at the movies, but undeniably strong filmiest fare.

ROSENTHAL: Raymomd by any other name

Rounding out our celluloid hat trick last night was a film about television by someone who definitely knows what he’s talking about. Exporting Raymond is a genuinely funny and unexpectedly revealing ‘In’-sight into the world of television.  The documentary follows Phil Rosenthal, creator of the hit TV series Everybody Loves Raymond, as he attempts to translate Raymond into a Russian sitcom. In a classic “fish out of water” scenario, show-runner Rosenthal travels to a distant land to help people who don’t want his help. What soon becomes amusingly apparent is that it is show creator Rosenthal, not Ray Romano, who is the real-life Raymond, with eccentric parents who are almost as camera-friendly as Doris Roberts and Peter Boyle. Watching him try to interact with understandably  suspicious Moscow TV types quickly becomes a guilty pleasure — which I suspect is exactly what Exporting Raymond star and producer Rosenthal had in mind. His sitcom was a monster hit and great fun, but his doc is not only entertaining, it’s also painlessly educational. Who’da thunkit?

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Cinema on the high Sees: How to save a village, a top Oscar candidate and a Churchill surprise

SOMEWHERE AT SEA: Yesterday was a beautiful day on the Atlantic ocean –warm, sunny, inviting — on the splendidly comfortable cruise ship called the Seabourn Sojourn. So naturally we spent most of it inside in the dark. But then, what else would you do on the 12th Floating Film Festival? On days when we’re at sea, we see three films. On days when we are in a port, we only screen two.

WHERE DO WE GO NOW at FFF 12

Yesterday was a three-film day, starting with a 9:30 am screening of Where Do We Go Now, a film by Caramel writer-director Nadine Labaki, about a group of Lebanese women who try to ease religious tensions between Christians and Muslims in their village. Selected by Floating Film Festival programmer Hannah Fisher, unfortunately sidelined at the last minute by foot surgery, Labaki’s film came to us with solid credentials, having already won Audience awards at film festivals in Oslo, San Sebastian and TIFF. It’s not hard to see why. Introduced by Cinefranco filmfest chief Marcelle Lean, the film is a bizarre, strangely engaging mix of pop music, death and destruction, and was very well received by our dedicated band of early-morning moviegoers.

FOOTNOTE: Oscar nominee for Best Foreign Film

After lunch we screened our second film, Footnote, which came to us with even more dazzling credentials – it swept last year’s Israeli Oscars, picked up Best Screenplay at Cannes, and was cited as one of the top foreign language films by the National Board of Review – not to mention its nomination for Best Foreign Film at Sunday night’s Oscar giveaway. Writer-director Joseph Cedar creates a scenario in which a father and son are rival professors in Talmudic Studies. When both men learn that the father is about to be lauded for his work, their complicated alpha-male relationship gets even more complicated. What makes it particularly fascinating, for me at least, is the concept of self-sacrifice — as in , no good deed goes unpunished.

CHURCHILL: Unexpected champion of Israel

Before dinner we screened our third film of the day, a documentary originally made for television by Floating filmfest commander and filmmaker Barry Avrich (The Last Mogul, Unauthorized: The Harvey Weinstein Project) and one which is seldom seen on the big screen. An Unlikely Obsession: Churchill And The Jews is a powerful celluloid spin-off of a book by Churchill biographer Sir Martin Gilbert, and details Churchill’s ultimate and unlikely obsession in becoming a supporter of Jewish causes — most notably being responsible for determining the future status of the Jewish National Home in Palestine. It’s an intriguing story, and one which both surprised and pleased Floating Film Festival patrons last night, and one which should intrigue American audiences when it premieres in the USA in May.

Today we are scheduled to see three more films: Darling Companion, from Big Chill director Larry Kasdan; Woody Harrelson’s controversial new drama Rampart; and Exporting Raymond, in which the creator of the hit TV series Everybody Loves Raymond goes to Moscow to try to help produce a Russian version for Soviet TV.  So, as we say in TV Land: Stay tuned.

DEFINITELY OVER THEIR HEADS: DNTO host Sook-Yin Lee and her guests take a dive in “over their heads” at a special live recording of CBC Radio One’s Definitely Not The Opera tonight at the Tranzac Club on Brunswick

LEE: over her head

Avenue in Toronto. Scheduled guests include Little Mosque on the Prairie creator Zarqa Nawaz, As It Happens host Carol Off, writer/performer James Gangl, comedian Ron Josol and writer-performer and motivational speaker Deborah Kimmett – all of whom will share real-life stories about how they found themselves truly in over their heads. Musical guests are Corin Raymond (crowd-funding his newest recording with Canadian Tire money donated by his fans!) and Montreal-based Little Scream. Admission is free. You can reserve a ticket by emailing CBCtorontocommunity@cbc.cawith DNTO in the subject heading … and in one of the most anticipated shows of their high-rated season, the Dragons leave their

OFF: Definitely Not

studio tonight to catch up with memorable entrepreneurs who once braved the Den. This special edition of Dragons’ Den promises to reveal what’s happened to your favourite pitchers, track down the most memorable disasters and catch up with some of the biggest success stories in the show’s history, tonight at 8 pm on CBC Television … and calling all Lighthouse fans! The band that am (and continues to be) plays tonight at Casino Nova Scotia, tomorrow night at the Confederation Centre of the Arts in Charlottetown, Friday night at The Playhouse in Fredericton, Saturday night at the Imperial Theatre in Saint John NB, then on to Ontario to play March 9 at the Sound Academy in Toronto, March 10 at the Opera House in Orillia and April 4 at the Richmond Hill Arts Centre. And yes, they still meet with their fans in the lobby after the show. So catch ’em while you can!

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