Meryl tackles Juliet, Betty returns to T.O., Maggie rallies her troupes, and Brenda shines up her Shoes

NO PEOPLE LIKE SHOW PEOPLE: Okay, so they’re not teenagers – they were all grown up way back when, when they co-starred in Sophie’s Choice – but Oscar winners Meryl Streep and Kevin Kline will play Shakespeare’s

STREEP: reading in New York

famous star-crossed lovers in a one-night-only reading of Romeo and Juliet, as part of a gala celebrating the 50th anniversary of Shakespeare in the Park. Public Theater vet Daniel Sullivan will direct the reading, to be held on June 18 at the Delacorte Theater in Central Park … Patrick Habron’s new exhibition of Rock ‘n’ Roll Icons opens May 10 at the New York Public Library for the Performing Arts at Lincoln Center … Phylicia Rashad, currently in Atlanta filming the TV adaptation of Steel Magnolias for director Kenny Leon, will return to that Georgia city this summer to star in Leon’s stage adaptation of Guess Who’s Coming To Dinner … American TV icon Larry

HAGMAN: guesting in Lucerne

Hagman (Dallas, I Dream Of Jeannie) and Top Gear host Jeremy Clarkson are among the sparklies set to light up the 51^st Rose d’Or Festival in Lucerne next month … fillmmaker Roger Larry is just wrapping a feature doc on Canadian cannibis advocate Marc Emery (aka The Prince of Pot) entitled Citizen Mark. “I describe it as Citizen Kane meets Spinal Tap,” says Larry. Will we see it at TIFF in September? Just askin’ … former BBC CEO Paul Lee, who founded BBC America before becoming President of ABC, is set to deliver the CBC/Radio-Canada opening keynote speech at this year’s Banff World Media Festival on June 10 … and Brenda Hoffert launches

BUCKLEY: singing in T.O.

her new-and-improved exhibition, Shoes, on Thursday April 26 at the Cecile & Harry Pearl Gallery. She’s added eight new photos to this exhibit which first premiered at CONTACT 2010.

SHE’S FUNNY THAT WAY: On a bit of a bittersweet note, the celebrated Toronto comedy festival We’re Funny That Way is about to celebrate its 15th and final year.  According to the WFTW website, festival producer Maggie Cassella has decided to call it quits – but she’s closing the festival with a major slam-dunk. First up is a May 10 concert by the vocally astonishing Betty Buckley, a benefit

CRAWFORD: back to Buddies

for the We’re Funny That Way Foundation, which directs funds to queer charities across Canada. Then WFTW crowd-pleasers Lea DeLaria, Gavin Crawford and Christopher Peterson strut their stuff on May 11 & May 12 to close the festival with appropriate star power. Showbiz dynamo Cassella is also working with filmmaker David Adkin on a sequel to his 1998 doc on her festival – DeLaria and Peterson were featured in that one too – to revisit the questions they first asked 15 years ago. “We’re hoping to track the evolution of queer comedy over the last 15 years and ask a lot of questions about where we’ve been, where we are, and where we’re going.” Cassella is also one of the busy beavers behind the high-flying Flying Beaver

CASSELLA: Maggie for Mayor?

Pubaret on Parliament near Carlton – Carla Collins is set to headline there this weekend — and brings her brainy energy and unique street savvy to everything she does. Not that I want to punish her, but isn’t it time we forced her into public office, so she could look out for all of us? (I’m just sayin’ …) Meanwhile, I suspect we’re talking about three about-to-be historic nights to remember. For tickets to what is sure to be an amazing evening with the spellbinding Betty Buckley, click here; for tickets to see We’re Funny That Way dazzlers Crawford, DeLaria and Peterson, click here.

Adds the indomitable Ms Cassella: “Please come and help us pack Buddies and Bad Times Theatre one last time.” And who can say no to Maggie?

*     *     *

Napkin Man gets a Barenaked booster, Seagull stars get set to soar, and Nico dances into Cinefranco

FRENCH WITHOUT TEARS: Hard to believe, but Marcelle Lean’s once-struggling Cinefranco Film Festival is celebrating its 15^thstanza this year. After running a successful weeklong school program of screenings last month, the

NICO & MYLENE: They've got Rhythme

festival opens to the general public this Friday at TIFF Bell Lightbox. Weekend highlights already generating a sizeable buzz include Nico Archambault’s splashy performance with Mylène Saint-Sauveur  in On The Beat/Sur le rhythme, directed by Charles-Olivier Michaud; the new Isabelle Hupert entry, My Worst Nightmare/Mon pire cauchemar, directed by Anne Fontaine; director Emmanuel Mouret’s new comedy The Art Of Love / L’art d’aimer, with François Cluzet and Julie Depardieu; and Dominic Desjardins’ opening night film, La Sacrée. For the complete list of films and how to get to see them, click here – et bon cinema!

OUR TOWN: Lots of openings tonight. A revisioned version of The Vindication of Senyora Clito Mestres, directed and performed by Dora nominee Dragana Varagic, is set to run tonight through Sunday at Theatre

RODRIGUEZ: opening night

Passe Muraille’s Backspace, with an additional performance March 31 at the Isabel Bader Theatre … Coleman Lemieux & Compagnie bring back Lemieux’s acclaimed 2003 choreographic work Varenka, Varenka! from tonight through March 31 at the company’s new dance centre in Regent Park, The Citadel. The work is inspired by Fyodor Dostoevsky’s first novel Poor Folk, about an aging clerk and his love for a young woman in mid-nineteenth century Russia … and wow, what an opening night cast! — Guillaume Coté, Greta Hodgkinson, Aleksandar Antonijevic and Sonia Rodriguez. Still wondering if you will be able to keep all the different lovers distinct and separate when John Neumeier’s splashy ballet version of Anton Chekhov’s The Seagull opens tonight at the Four Seasons Centre for the Performing Arts? Fear not – the National Ballet has produced a cheeky one-minute video guide to all the love affairs in the show. To see it, just click here — and enjoy!

ROBERTSON: Napkin Man

TV SHOP TALK: Corus Entertainment will launch its newest service, ABC Spark, next Monday with the day-and-date season premiere of The Secret Life of the American Teenager. The primetime schedule will also include ABC Family original series Switched at Birth, Melissa & Joey, The Lying Game and Make It or Break It … BBC director general Mark Thompson will step down after the London Olympic games this summer … KIds’ CBC is currently developing a new show for small fry called The Adventures Of Napkin Man, hosted by Barenaked Ladies charmer Ed Robertson … Discovery Networks International has bought a 20% stake in French pay-TV company Televista, gambling that

SCHONEBERGER: Rose d'Or host

Televista will move into France’s free-to-air market … and only three Canadian entries made it to the finish line as Rose d’Or nominees this year. Storming Juno Interactive, produced by Secret Location for History Television, is a Multiplatform nominee; For One Night Only, produced by Les Productions Rivard for ARTV, is a Live Event Show nominee; and Property Brothers, produced by Cineflix Inc. for the W Network, is a Lifestyle finalist. Winners will be revealed on May 10 when German TV presenter, actress and singer Barbara Schöneberger hosts the Rose d’Or awards ceremonies in Lucerne.

WOMAN’S WORLD: It’s been a year or three since she lit up home screens as Felicity, but now Keri Russell is set to star in FX’s period drama pilot The Americans. Russell will play an undercover KGB spy who starts to fall in love

GUMMER: will First Cut be the kindest?

with her arranged husband (also a spy). Hmmm – wonder if Scott Speedman is available … Meryl Streep’s talented actress daughter Mamie Gummer, so good in her guest stints with Julianna Margulies on The Good Wife, is the lead in CW’s new medical drama pilot First Cut … three-time Oscar nominee Sigourney Weaver is set to star in her first primetime series, Greg Berlanti’s USA pilot Politcal Animals. She’ll play a former First Lady who is now Secretary of State. In the good old days the networks would have waited until Hillary Clinton left the job — but hey, these are the good new days. Or so they tell me.

*     *    *

Midnight In Paris may not win another Oscar for Woody — but that poster is definitely a keeper

SUITABLE FOR FRAMING: All will be revealed this weekend on Sunday night’s  Academy Awards telecast — but if they gave out Oscars for movie posters, the Van Gogh version of Woody Allen’s Midnight In Paris would get my vote hands down. It really is a beauty, and so evocative of the spirit of the film.

I mean, how cool is this? Really. I’m sure Woody will survive without winning more gold statuettes; he already has plenty. And the fact that Midnight In Paris is his biggest hit in years has gotta be the best consolation prize of all. By the way, not all Woody fans get to enjoy the same poster we do. Different countries market films in, well, different ways. As you can see. Oddly enough I have no desire to frame this one. But hey — different brush strokes for different folks.

YET ANOTHER REASON WHY WE LOVE LIZ SMITH: Has Manhattan gossip queen Liz Smith had her final say about Whitney Houston’s demise? We hope not. “No matter what Whitney might have abused in the past,” she wrote last week, “reports indicate that there were no illegal drugs found in her hotel room. Or in her body — believe me, TMZ would have headlined that. Whitney apparently died of an accident that has probably claimed a thousand American lives since Saturday. Too much drinking the night before, anxiety and a hangover the next day. Pop a Xanax (or anything to relax and relieve stress.) You don’t mean to, but you’ve just killed yourself.

SMITH: how Whitney died

“The legalization of marijuana or cocaine or meth have nothing to do with the circumstances of Whitney Houston’s death,” says Liz. “She didn’t die with a needle in her arm, or a crack pipe nearby. When TMZ obtained photos of the bathroom where she died, what terrible thing was revealed? There was a gravy boat, filled with an oil Whitney was using to soften her skin as she bathed. (The terrible thing is that they received these heartbreaking photos and ran them.) Police also said that Whitney possessed less prescribed medication at the time of her death than most ‘regular’ people.” Point taken. Let he who possesses an empty medicine cabinet throw the first over-the-counter pill.

YESTERDAY WHEN WE WERE YOUNG:  Try as I might, I can’t quite get my head around the fact that it was 40 years ago – four decades, folks – when Veronica Tennant danced that mind-boggling Rose Adagio choreographed by

NUREYEV & TENNANT

NUREYEV & KAIN

Rudolf Nureyev for the National Ballet’s headline-making premiere of The Sleeping Beauty. Then-aspiring prima ballerina Karen Kain danced it too, and next month Heather Ogden will follow in their bruised and tortured footsteps when she costars in Sleeping Beauty with her husband, high-flyer Guillaume Côte, who by the way will receive the Medal of the National Assembly of Québec tomorrow at the Parliament Building in Québec. Kain, now artistic director for the NBOC, acknowledges that the Rose Adagio her pal Nureyev created for the company “is one of the most athletically difficult versions in the world. This version is extremely challenging, for both Princess Aurora and the Prince.” But she’s very excited about seeing ballerina Ogden dance the role, she says, “because in addition to everything else, Heather has a powerful physicality. I think Rudolf would have loved her.” Ms. Ogden has her own thoughts on her new role, which she is still rehearsing as you read this. For a sneak peek at rehearsals, click here.

THEY GET BY WITH A LITTLE HELP FROM THEIR FRIENDS: Even when I was a film critic — come to think of it, especially when I was a film critic — I was always confused about the Academy Awards. Especially whenever I disagreed with the choice of nominees and/or winners. That is, until Ingrid Bergman straightened me out. Said the iconic Ms. Bergman, a three-time Oscar winner herself:  “We don’t care what you think.”

DAVIS: Oscar nominee

Pardon? “We don’t care what you think,” said Ms. B, flashing her legendary enigmatic smile. “You play the critic every day of the year. This is our one night to play critic. This is our one chance, once a year, to vote for who we think did the best job. So we don’t care what you think. This is one night when your vote doesn’t count.”  A few years later I was on the phone talking to song-and-dance queen Ann Miller, “I have to go now,” she said – “I’ve got to finish filling out my Oscar ballot.”  “Really!” I said. “Do you know who you’re voting for?”   “What a question!” she laughed. “My friends, of course!”

Who’s gonna win this Sunday? If they vote for their friends, it will probably be George Clooney, Meryl Streep, Nick Nolte and Octavia Spencer. If they vote for performances, it will probably be Jean Dujardin, Viola Davis, Christopher Plummer and Jessica Chastain. But either way it will probably be quite a show. Enjoy!

*     *     *

Marg Delahunty returns to T.O., Meryl & Julia move to Osage County and Jim makes more Mostel magic

NO BIZ LIKE SHOW BIZ:  Savvy scene-stealer Mary Walsh returns to Toronto next month in her new one-woman play, Dancing With Rage. The show, set to run March 6-31 at Theatre Passe Muraille,  incorporates both new

WALSH: Marg Delahunty returns to T.O.

and  familiar faces, most notably 22 Minutes alumni Dakey Dunn, Connie Bloor and the legendary Marg Delahunty. Walsh’s last stage stint here was almost two years ago, at the Panasonic with Andrea Martin and Louise Pitre in Love, Loss and What I Wore, directed by Karen Carpenter. Carpenter is also directing Dancing With Rage and she and Walsh still have to decide if they’ll tour the show after it closes here … Meryl Streep and Julia Roberts are set to co-star in the film version of Tracy Letts’ Pulitzer Prize-winning August: Osage County. John Wells will direct …  the cast of Ghost will perform a sneak peek of the

STREEP & ROBERTS: Osage County gals

show on Jimmy Fallon’s late show tonight before the West End musical hit even begins its Broadway previews … and  remember Slings  & Arrows, the brilliant take-off on Stratford and its oh-so-theatrical inhabitants?  Paul Gross, Martha Burns and Stephen Ouimette were sensational, and newcomers Rachel McAdams and Luke Kirby weren’t too shabby either. New York Times writer Neil Genzlinger recently suggested that NBC’s much-ballyhooed Smash should avoid dumbing down its storylines and aim higher. “The writers,” he said, “would also benefit from watching a few seasons of Slings & Arrows, a terrific backstage television series that was smart and proud of it,” he advised. Challenging viewers “to keep up, as Slings and Arrows did, is ultimately more rewarding.”

UP UP AND AWAY: On a clear you can see --- whaaa??

IF YOU GET CAUGHT BETWEEN THE SUN AND NEW YORK CITY:  It was just a publicity stunt for the new sci-fi movie Chronicle, written and directed by director John Landis’ chip-off-the-old block Max. But it sure got people talking. To see how they did it, cick here.

A BRIDGE TOO FAR: Unless you're flying over it, of course ...

NOW IS THE HOUR:  Finally caught up with Jim Brochu‘s much acclaimed performance in Zero Hour, and although I didn’t see how his one-man show could live up to its advance publicity, it easily surpassed it. In addition to being an

BROCHU as MOSTEL: brilliant

extraordinarily disciplined and gifted actor, Brochu is also a brilliant writer and storyteller who is never less than engaging, so you don’t have to be a rabid fan of Zero Mostel to be captivated by his reconstituted presence on stage. I know several long-term admirers of Mostel who have been wowed by Brochu’s tour de force, and after seeing him in action, I can certainly understand why. His personal revelations, including Mostel’s bitter estrangement from his family, are tough and touching. His backstage stories, from his account of Lucille Ball testifying to the House Committee on Un-American Activities to his palpable loathing for

HANGING OUT: Merman & Brochu at Sardi's

Broadway blabbers Elia Kazan and Jerome Robbins, are unforgettable. The Zero Mostel we prefer to remember is the lovable clown from The Producers, the madcap jester from A Funny Thing Happened Our The Way To The Forum, the Jewish patriarch who wished he was A Rich Man in Fiddler On The Roof. But Brochu is a true creature of the theatre — his caricature hangs next to Ethel Merman’s at Sardi’s — and accordingly the artist Brochu reincarnates for us has to fight to be in the spotlight. Zero only gets to star in Forum because first choice Milton Berle and second choice Phil Silvers both turn it down. And although his portrayal of Tevye is burned into the heart of Broadway memory, he was third choice for that one too. (First name on the Fiddler producers’ wish list was Danny Kaye.)

JIM BROCHU as ZERO MOSTEL in ZERO HOUR at Bathurst Street Theatre

When the curtain finally comes down — all too soon for some of us — the fact that we feel like we’ve just spent the evening with Zero Mostel, and not a carbon copy, is further testament to Brochu’s great skill as an actor. On stage here at the Bathurst Street Theatre through March 11, Zero Hour is a fascinating and formidably funny showcase for both of them. Don’t miss it.

*     *     *

Mamma Mia! There they go again! My, my, how can we resist them?

FLICKERS: Ridiculously rich Mamma Mia film producer Judy Craymer is hoping to persuade Benny Andersson and his musical sidekick Bjorn

SEYFRIED & STREEP: bella Donnas?

Ulvaeus to lend their irresistible ABBA tunes to a prequel, with a brand new young cast. Will Amanda Seyfried get to play the young Meryl Streep, who played her mother Donna in MM? Stay tuned … Deidre Kelly’s new book, Paris Times Eight, already sounds like a movie. Kelly first arrived in Paris, the city of her dreams, “as a starry-eyed ingénue.” In some of her subsequent visits she returns as a budding writer who interviews Rudolf Nureyev and crashes an

KELLY: Paris, je t'aime (photo: Bryan L. Davies)

exclusive fashion show, and as an emotional daughter who takes her mother to Paris to meet her “other mother;” until finally she returns to Paris as a mother herself. Sounds like a least three great roles for women, n’est-ce pas? … and yes, it’s true, shooting is already underway in Shanghai for the Chinese version of Disney‘s megahit High School Musical. How did Disney get the green light from China? Well, for one thing, the Chinese version is set at a university, “since Chinese high school students are so focused on academics that they would not have time to devote to singing and dancing.” Okay, got it.

QUOTABLE QUOTES: “I’ve no interest in playing oldies anymore. No, no, no. Far more fitting for the next stage in my career to play a slut.”

DENCH: Nothing like a Dame.

The speaker? Dame Judi Dench, now 74 but never at a loss for words. Currently starring in the about-to-be blockbuster movie musical Nine, Dame Judi’s next gig will bring her back to the boards, as Titania, the queen of the fairies in a new Midsummer Night’s Dream in Kingston, England. She first performed the role of Titania as a schoolgirl some 56 years ago, and is thrilled to be able to take another crack at it. “Of course,” she adds, “one is lucky to be acting at all. I’m happy when I have a job – any job. One is always afraid of having no work.”

Richard Rodgers & Oscar Hammerstein said it best. There really is nothing like a Dame.

21 AGAIN: It came and went 10 days ago, November 21 2009 was not just another Saturday night for Veronica Tennant. The prima ballerina who reinvented herself as a prima television producer was in three different cities that

TENNANT: November is the Coolest month

night. She was in Toronto attending the National Ballet of Canada’s performance of The Sleeping Beauty — the ballet she premiered more than 35 (!!!) years ago with Rudolf Nureyev as her prince — in tribute to Canada’s National Ballet School’s 50th Anniversary Assemble Internationale. But she was also in Edmonton, on film, as Honourary Chair of the Shumka Ballet, welcoming guests to Shumka’s Red Boots, Ballet and Bubbly Gala. And she was also in Cuba, where her much-lauded dance film, Vida y Danza, Cuba, was being screened at the 18th Anniversary celebration of Lizt Alfonso’s Dance Cuba.

JACKSON: new role

“November 21 has always been a significant day for me,” admits Tennant with a shy smile. I’ll say! Her Gala farewell performance with the National Ballet of Canada, A Passion for Dance: Celebrating the Tennant Magic, took place on November 21, 1989. And ten years later, to the day, she won her first International Emmy award as a television producer, for Karen Kain; Dancing in the Moment, on November 21, 1999.

Safety in numbers, you say? Sounds more like magic to me.

NO PEOPLE LIKE SHOW PEOPLE: Slaight Communications chief Gary Slaight will be lauded for his longstanding commitment to charitable initiatives

GABEREAU: hosting for Mercer

as the recipient of the Humanitarian Spirit Award. at the Canadian Music and Broadcast Industry Awards on March 11 at the Fairmont Royal York Hotel, during Canadian Music Week … rising marquee bait Joshua Jackson has won the lead in a feature adaptation of British TV series UFO … Robin Mirsky, executive director of Rogers Group of Funds, has succeeded CFTPA prez Norm Bolen as co-chair of Hot Docs board of directors with Michael McMahon. New board members include marketing maven Robert Pattillo, Cobalt Pharmaceuticals chairman Neil Tabatznik and filmmakers Lalita Krishna, Julia Ivanova and Danijel Margetic … and Vicki Gabereau will host when Rick Mercer entertains the multitudes in Vancouver at a gala fund-raising evening June 10 for the Kay Meek Centre.

Special P.S. to Rick Mercer Report aficionados: Mercer’s final 2009 outing airs tonight at 8 pm on CBC-TV.

TOMORROW:

Roger gets ready for Toronto, and

Liz gives some advice to some dazzling Glamour girls.