Tag Archives: Payback

Mad Men beat the odds, Piers interrupts, and Griffiths, Healey & MacIvor spark T.O. theatre

NO PEOPLE LIKE SHOW PEOPLE: Oscar owners Cuba Gooding Jr. and Mira Sorvino and small-screen scene-stealers Bradley Whitford and Lucy Liu are among the stars currently shooting new TV pilots in L.A. …  filmmaker

ATWOOD: Payback at TIFF

Jennifer Baichwal and Margaret Atwood get the red carpet treatment at TIFF Bell Lightbox tonight for the Canadian premiere of Payback, the new Baichwal doc based on Atwood’s Payback: Debt And The Shadow Side Of Wealth. The Q&A  following the By Invitation Only screening will be hosted by Walrus senior editor Sasha Chapman …  Parks And Recreation laugh-getter Nick Offerman has been cast in Diablo Cody’s directorial debut …  and don’t say we didn’t warn ya: Both of Daniel Lanois’s March 23-24 concerts with Brian Blade at the Great Hall in Toronto are completely sold out. The concerts coincide with Lanois’ induction into the Canadian Music Industry Hall of Fame during Canadian Music Week.

STAGE STRUCK: Three stage giants are set to share their remarkable talents with Toronto theatergoers in the next three weeks. First up is Linda Griffiths, who will reprise her bravura performance as Margaret Trudeau in a reading of

MACIVOR: world premiere

Maggie and Pierre this Saturday at Theatre Passe Muraille, staged by Paul Thompson. Thompson will  also play P.E.T to her Maggie. (Wow, what a way to spend St. Patrick’s Day!) Then, two nights later at TPM, on Monday March 19, Michael Healey will appear in his latest play, Proud, a script Tarragon Theatre reportedly declined to produce for fear of incurring the wrath of the PMO. And two weeks later Tarragon playwright-in-residence Daniel MacIvor, who recently dazzled us with a stunning revival of His Greatness, will premiere his new play Was Spring on April 4 at Tarragon with Clare Coulter, Caroline Gillis and Jessica Moss.  Talk about yer embarrassments of riches! If I were you I’d start dialing for ducats right now.

INTERVIEWUS INTERRUPTUS: He was a solid Celebrity Apprentice, and an appealing if impatient judge on America’s Got Talent but I suspect the romance is over between the public and Piers Morgan.  As the current

MORGAN: interrupter

occupant of Larry King‘s coveted nightly spot on CNN, he’s constantly attracting some of the biggest names in show business, sports and politics — and then constantly interrupting them, clearly bored by their responses.  At one point I thought he was getting over himself; turns out I was wrong. In my opinion Morgan  is absolutely capable of delivering the goods — but only when he pauses long enough to listen, which he does all too rarely. Says Manhattan gossip girl Liz Smith: “Piers Morgan will never warm the cockles of my heart, but I suppose some people enjoy his smirky style.“ Ouch!

IT’S A MAD, MAD WORLD: New Brandon Tartikoff Legacy Award winner Matt Weiner, creator of US cable hit Mad Men, is getting ready to  launch season five later this month. He told C21 that he wrote the pilot for the series before he even started working on HBO’s The Sopranos — but no one would touch it. “HBO rejected the show about 80 times,” he says. “Going to AMC

MAD MEN: taking the fifth (season)

wasn’t a choice; it was the only company that was interested. People were telling me how they felt so bad for me because no one was going to see my show. When Christina Hendricks agreed to be a series regular, her manager fired her.

WEINER: getting Mad

People would say to me: ‘You were executive producer on the most exciting show on TV [The Sopranos] and this is what you turned it into.'” Mad Men was the first original show that AMC picked up, and the network tried to coax Lionsgate into partnering with them. But Lionsgate thought the period-piece pilot was too expensive so AMC shouldered the cost of shooting it. When they saw it Lionsgate execs thought the pilot was extraordinary — which it was — and signed on for the series. Which is how we got to see Mad Men.  And how Mad Men got to become the first cable series the win the Emmy for Best Drama, which it has won every year for its first four seasons. And you thought making television was easy!

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Look, boys and girls, it’s THE RICK MERCI REPORT! … and no, that’s not a typo

BUT FIRST, TAKE A LOOK AT THIS: Canada’s most-watched man, Newfoundland export Rick Mercer, is slated to receive the 2012 ACTRA Award Of Excellence this weekend — yet another trophy to add to his countless Geminis,

HMMMM ... who's the guy with Bonhomme?

honorary doctorates and other accolades.  His weekly Rick Mercer Report, appointment viewing for thousands of Canadian families, is now in its 9th season, and neither he nor the show are showing any signs of slowing down.  How famous is he? So famous, apparently, that he and his show will soon be parodied by Kids’CBC. Yes, the home of cooking yam Mamma Yamma and singing dinosaur Drumheller is about to introduce its own Rick Merci Report, with another Maritimer, Saumon de Champlainplaying Rick. (Aside from his French accent and his vintage

DE CHAMPLAIN: casting coup

wardrobe and the fact that m’sieu de Champlain is, how you say it, a fish — hey, they could be twins.) Never mind — this we gotta see. Let’s hope the Merci Report attracts as many viewers as the original. More than one million Canadians tune in to Mercer’s Tuesday night telecasts, and an additional half million watch the same-week encore broadcast on Friday night. Mercer’s on the move again tonight, ice canoeing (brrrrrr!) at the Quebec the Winter Carnival and checking out Warming Hut installations (including one by Frank Gehry!!) at the Forks (brrrrrr!) in Winnipeg. And yes, there’s a Zamboni involved. And yes, it’s very funny stuff.

QUOTABLE QUOTES: “I think Margaret Atwood once said, ‘Wanting to meet an author because you like his books is like wanting to meet a duck because you like paté.’ ”

ATWOOD: It's Payback time

The speaker? Filmmaker Ethan Coen, at a film seminar in China last year. And speaking of film and Ms. Atwood,  look for her new collaboration with filmmaker Jennifer Baichwal, Payback, to premiere at TIFF Bell Lightbox next month. Baichwal and Atwood christened their new celluloid baby, based on Atwood’s 2008 bestseller,  to much ooohing and aaahing at Sundance last month. Insiders say Atwood on-screen is almost as fascinating as Atwood off-screen, and if that’s true Payback should really be something to see.

OUR TOWN: The National Film Board launches its salute to the National Ballet’s 60th anniversary season tonight with a week-long series of dance on film at the NFB Mediatheque on John Street. First up:  Celia Franca: Tour de

PINA: Oscar contender

Force  by Veronica Tennant, who will speak following the screening. An archival display highlighting the past 60 years of the National Ballet and an interactive station where visitors can watch a dance and film playlist will also be offered onsite … Amy Nostbakken opens her controversial one-woman show, The Big Smoke, at Factory Studio Theatre tonight. Already a hit in the U.K., the play is reportedly inspired by the lives of Virginia Woolf and Sylvia Plath and is described as a “poetic waltz with death which walks a fine line between sanity and psychosis.”  Sounds like tons o’ fun  … getting the

THOMPSON: one night only

urge to go Oscar-ing before Sunday’s Academy Awatds telecast? You can catch two major nominees at TIFF Bell Lightbox this week – Philippe Falardeau’s rave-winning drama Monsieur Lazhar, up for Best Foreign Film, and Wim Wenders’ eye-popping salute to dance great Pina Bausch, Pina, currently a strong contender for Best Documentary … and Scott Thompson brings back coy barfly Buddy Cole for a one-show-only appearance this Friday at Maggie Cassella’s Flying Beaver Pubaret on Parliament Street.

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