Tag Archives: Ann Miller

Midnight In Paris may not win another Oscar for Woody — but that poster is definitely a keeper

SUITABLE FOR FRAMING: All will be revealed this weekend on Sunday night’s  Academy Awards telecast — but if they gave out Oscars for movie posters, the Van Gogh version of Woody Allen’s Midnight In Paris would get my vote hands down. It really is a beauty, and so evocative of the spirit of the film.

I mean, how cool is this? Really. I’m sure Woody will survive without winning more gold statuettes; he already has plenty. And the fact that Midnight In Paris is his biggest hit in years has gotta be the best consolation prize of all. By the way, not all Woody fans get to enjoy the same poster we do. Different countries market films in, well, different ways. As you can see. Oddly enough I have no desire to frame this one. But hey — different brush strokes for different folks.

YET ANOTHER REASON WHY WE LOVE LIZ SMITH: Has Manhattan gossip queen Liz Smith had her final say about Whitney Houston’s demise? We hope not. “No matter what Whitney might have abused in the past,” she wrote last week, “reports indicate that there were no illegal drugs found in her hotel room. Or in her body — believe me, TMZ would have headlined that. Whitney apparently died of an accident that has probably claimed a thousand American lives since Saturday. Too much drinking the night before, anxiety and a hangover the next day. Pop a Xanax (or anything to relax and relieve stress.) You don’t mean to, but you’ve just killed yourself.

SMITH: how Whitney died

“The legalization of marijuana or cocaine or meth have nothing to do with the circumstances of Whitney Houston’s death,” says Liz. “She didn’t die with a needle in her arm, or a crack pipe nearby. When TMZ obtained photos of the bathroom where she died, what terrible thing was revealed? There was a gravy boat, filled with an oil Whitney was using to soften her skin as she bathed. (The terrible thing is that they received these heartbreaking photos and ran them.) Police also said that Whitney possessed less prescribed medication at the time of her death than most ‘regular’ people.” Point taken. Let he who possesses an empty medicine cabinet throw the first over-the-counter pill.

YESTERDAY WHEN WE WERE YOUNG:  Try as I might, I can’t quite get my head around the fact that it was 40 years ago – four decades, folks – when Veronica Tennant danced that mind-boggling Rose Adagio choreographed by

NUREYEV & TENNANT

NUREYEV & KAIN

Rudolf Nureyev for the National Ballet’s headline-making premiere of The Sleeping Beauty. Then-aspiring prima ballerina Karen Kain danced it too, and next month Heather Ogden will follow in their bruised and tortured footsteps when she costars in Sleeping Beauty with her husband, high-flyer Guillaume Côte, who by the way will receive the Medal of the National Assembly of Québec tomorrow at the Parliament Building in Québec. Kain, now artistic director for the NBOC, acknowledges that the Rose Adagio her pal Nureyev created for the company “is one of the most athletically difficult versions in the world. This version is extremely challenging, for both Princess Aurora and the Prince.” But she’s very excited about seeing ballerina Ogden dance the role, she says, “because in addition to everything else, Heather has a powerful physicality. I think Rudolf would have loved her.” Ms. Ogden has her own thoughts on her new role, which she is still rehearsing as you read this. For a sneak peek at rehearsals, click here.

THEY GET BY WITH A LITTLE HELP FROM THEIR FRIENDS: Even when I was a film critic — come to think of it, especially when I was a film critic — I was always confused about the Academy Awards. Especially whenever I disagreed with the choice of nominees and/or winners. That is, until Ingrid Bergman straightened me out. Said the iconic Ms. Bergman, a three-time Oscar winner herself:  “We don’t care what you think.”

DAVIS: Oscar nominee

Pardon? “We don’t care what you think,” said Ms. B, flashing her legendary enigmatic smile. “You play the critic every day of the year. This is our one night to play critic. This is our one chance, once a year, to vote for who we think did the best job. So we don’t care what you think. This is one night when your vote doesn’t count.”  A few years later I was on the phone talking to song-and-dance queen Ann Miller, “I have to go now,” she said – “I’ve got to finish filling out my Oscar ballot.”  “Really!” I said. “Do you know who you’re voting for?”   “What a question!” she laughed. “My friends, of course!”

Who’s gonna win this Sunday? If they vote for their friends, it will probably be George Clooney, Meryl Streep, Nick Nolte and Octavia Spencer. If they vote for performances, it will probably be Jean Dujardin, Viola Davis, Christopher Plummer and Jessica Chastain. But either way it will probably be quite a show. Enjoy!

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Lily conquers Vegas, Bette plans a Showgirl exit, and meet the new Susan Boyle (he’s a guy!)

LOVIN’ LAS VEGAS: Don’t know why I thought that Lily Tomlin and Sin City were not a natural fit. Turns out they are. La Tomlin premiered her new

TOMLIN & WAGNER: Viva Las Vegas

one-woman show, Not Playing With A Full Deck, at the MGM Grand, and reportedly loves Las Vegas! Lily’s partner and personal muse, the unabashedly brilliant humourist Jane Wagner, is the mighty pen behind her new show as well as such previous Tomlin megahits as The Search For Signs Of Intelligent Life In The Universe and Appearing Nitely. Lily’s new show is a mix of Greatest Hits – the characters her fans still can’t get enough of, like Ernestine and Edith Ann – and new characters, and

SHORT: Damages control

new technology. Tomlin’s new show ‘try-out’ played in MGM’s Hollywood Theater, which seats about 2,000 people at each performance. And when Tomlin isn’t hanging out with her Big Business co-star and Caesars Palace headliner Bette Midler (The Showgirl Must Go On) or trying to coax Jane (“it’s come down to begging, really,”) into writing a new Broadway show for her, she’s commuting to New York to shoot her scenes in the new season of Damages with Glenn Close. In it she plays the matriarch of a powerful family determined to destroy shady legal eagle Close. Assisting Lily in this mission are Martin Short as her high-powered attorney and Campbell Scott as her son. And yes, she confesses, she and Marty did misbehave one day on the set, when

MIDLER: The show must go ... off

she read her lines as Ernestine and he did his as Ed Grimley. “But never when the cameras are rolling!”

THE SHOWGIRL MUST GO OFF: P.S. for Vegas-bound Bette Midler fans: Your heroine ends her two-year residency at The Colloseum – aka The House That Céline Built – on January 31. Says Bette: “These legs have had such a great run in the desert, it may be time to haul them to places with more humidity and fewer slot machines.”

GET OUT YOUR HANDKERCHIEFS: Yes, it’s true, the latest YouTube sensation is a recent audition for Simon Cowell’s British talent show The X Factor. The singer is a 40-year-old cabinet-maker named Daryl Markham. Markham has his own website now, and is now a household

MARKHAM: YouTube sensation

name for millions of people all over the world. But can he sing? You be the judge. To see his now-historic audition, just click here.

NO BIZ LKE SHOW BIZ: Leave it to Reg Hartt to find a copy of the sumptuous MGM musical Kiss Me Kate, with Kathryn Grayson, Howard Keel and young hoofers Bob Fosse & Tommy Rall competing for Ann Miller’s machine-gun taps., in — wait for it — 3D, its screen original format. Cineaste extraordinare Hartt unspools the classic Cole Porter musical this Sunday and next at 5 pm at his Cineforum HQ at Bathurst & College. Adds Reg: “Bring your own popcorn and we will zap it for you.”

WILLIAMS: ReelWorld decade

Hmmmm, wonder if Stratford’s Kiss Me Kate star Juan Chiorian, now on stage at the Factory Theatre in The Madonna Painter, has ever seen this version? … fan faves Colin Mochrie & Deb McGrath guest with Ron James tonight at 8 pm on CBC Television …  the Kate Rogers Band performs live tomorrow morning on CBC Radio One’s GO! Show. “Tickets are free and everyone is welcome!” sez Ms Rogers … speaking of tickets, you can still snag some for this weekend’s performances of the National Ballet’s spectacular Sleeping Beauty revival before it closes Sunday .. and can you believe that Tonya Lee Williams’ ReelWorld Film Festival, the little movie marathon that grew, celebrates its 10th anniversary next spring? Ms Williams, of course, is currently stationed in Washington, D.C. — on screen, at least — in The Border. And BTW, the ReelWorld call for submissions has already started. So if you have a feature, documentary, short, music video or animation from the Aboriginal, Asian, Black, Latino, Middle Eastern, South Asian or other multi-racial community, click here and fill out the submissions form.

Happy weekend!

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