Nurse Jackie gets a pick-up, Michel plays Irving, and T.O. theatre-goers get three decades of Doras

FALCO: she's the right Rx

BEDSIDE MANNERS: American  television has clearly has taken a turn for the nurse. Fans of Sopranos scene-stealer Edie Falco, and they are legion, will be delighted to learn that her new almost three-week-old series Nurse Jackie has already been picked up for a second season …  and Jada Pinkett Smith is following in her mother’s footsteps, playing nurse Christina Hawthorne in HawthoRNe. (No, that’s not a typo. And yes, it really is a bit too cute. But then, here we are talking about it.) Ms. Pinkett Smith’s mom worked as a head nurse at a Baltimore women’s clinic, but in her new series, created by John Masius (St. Elsewhere) and produced by her hubbyWill Smith, Jada says her character is basically a woman with a God complex that’s really going to have to, like, get real. She’s going to have to learn to take care of herself as intensely as the patients.”

Sounds like a prescription for another hit show.

We’ll see.

NO PEOPLE LIKE SHOW PEOPLE: He conquered Stratford, won our hearts on TV as Tommy Douglas, wowed us on stage in The Producers and even survived the musical version of Lord Of The Rings. Now Michel Therriault is

THERRIAULT: Call him Irving

about to play U.S. legend Irving Berlin off-Broadway in a new what-if musical called The Tin Pan Alley Rag. Described as a ‘musical play,’ it’s the story of an imagined meeting of two of America’s greatest musicians, composer Scott Joplin (Michael Boatman) and songwriter Berlin and the stories of fame, love and loss beneath their syncopated, frequently hypnotic rhythms … speaking of Stratford, award-laden director Norman Jewison says Stratford’s current production of West Side Story is the best he’s seen since the show first opened on Broadway more than (gulp!) half a century ago … sad news for you if you meant to but didn’t get around to ordering tickets: Every performance of the Tarragon Theatre remount of one-woman whirlwind Judith Thompson’s Body & Soul has been sold out since the curtain went up last week … Ray Jessel returns to our town to cabaret at the Old Mill next Saturday June 27 during The Toronto Jazz Festival … and Rick Mercer Report producer Gerald Lunz got an extra show on Broadway this week when he caught all three

DeVITO: too bloody funny?

installments of the revival of Alan Ayckbourn’s Norman Conquests, performed in the round at the Circle in the Square. Danny DeVito, who was sitting across the stage from him, literally doubled over with laughter, bounced his face off the seat in front of him, and split his lip. Now that’s comedy!

FOOTLIGHTS: Risking The Void, a comprehensive retrospective of stage designer Cameron Porteous’ remarkable contribution to theatre in Canada, opens Saturday July 4 at The Niagara Pumphouse Arts Centre at Niagara-on-the-Lake. The ambitious exhibit is a collaboration by Theatre Museum Canada, the University of Guelph’s L.W. Conolly Theatre Archives and the Shaw Festival … WatersEdge Productions, a new independent theatre

JEWISON: Stratford aficionado

company, will debut in T.O, with the Canadian premiere of bare, a new rock musical that garnered a worldwide fan base since its award-winning run in L.A. and its sold-out five-week run off-Broadway. The show, in which an exuberant young cast of 19 actors tackles themes of teen sexuality, religious angst and unrelenting social and family pressure – yup, it’s a musical, I kid you not – opens July 17 at Hart House … shhhhh, it’s a secret, but my spies tell me the Toronto Alliance for the Performing Arts is polishing up a special award for superProducer Marlene Smith. To which we can only add, bravo!  … doesn’t seem possible that this is the 30^th anniversary of the Dora Mavor Moore Awards. Imagine three decades of Doras! …  and soon you won’t have to. Theatre-goers attending the June 29 awards will receive an elegant bonus — a special book, The Doras: 30 Years of Theatre, Dance and Opera in Toronto. Edited by Angela Rebeiro, the new book will be distributed free of charge to all guests at the Award Show ceremony. It will go on sale at TheatreBooks after the show … and speaking of the Doras, have you cast your vote for the Audience Choice Award? If you haven’t, you’ve only got a few days left – polls close June 25. So just take a deep breath and click here.

A TOMLIN NEVER FORGETS: American treasure Lily Tomlin wants me to let you know that tomorrow is not just another Saturday.

TOMLIN: on a mission

“On Saturday, June 20, compassionate people around the world will unite to educate the public about the suffering of elephants in zoos, as part of the first-ever International Day of Action for Elephants in Zoos,” says Lily. “Events are taking place in more than 30 cities in seven countries. I strongly urge you to attend an event, if there’s one in your area. Visit HelpElephants.com to see a list of locations.”

Lily’s using her wowOwow. com website to get her message out to as many people as possible.

“From some of the comments I’ve read in response to the issue of elephants in zoos, I’ve come to realize that people are just so used to seeing elephants in tiny displays that they accept that as being OK,” she says. “But it isn’t. While a zoo exhibit may appear big to us, to an elephant it’s miniscule. And don’t forget that elephants are forced to live their entire lives in that same spot, deprived of all that is natural to them: space, freedom, family and choice.”

For more on Lily’s plea for your help, click here.

And have a great weekend!

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The show must go on. And on. And on.

 

  

KOSLO

   

MERCER

  

BERGEN

  

SEDARIS

 

 

 

 

 

When did live theatre become a synonym for marathon?

First came Mr. Charles Dickens’ The Life & Adventures of Nicholas Nickleby, an eight-hour stage play presented over two performances. Then came Alan Ayckbourn’s three-play Norman Conquests (“See one! See them all!”)

Coming soon to our town, for the very first time, is the entire City of Wine seven-play cycle about the ancient Greek city of Thebes by yet another Dickens — Kingston playwright Ned Dickens. Billed as “an unprecedented event in Canadian theatre history,” City of Wine features 105 of Canada’s newest talents from the graduating classes of theatre schools across the country, in seven, count ‘em, 7 productions mounted by the award-winning Nightswimming theatre company for Theatre Passe Muraille.

COWARD

And just when I was thinking that seven could be heaven, I watched Rick Mercer and learned that Shaw Festival chief Jackie Maxwell is staging all 10, count ‘em, 10 of Noel Coward’s one-act plays this season, and that yes, there are three consecutive days in the schedule where you can actually get to see all 10 Noel Coward one-act stands.

“Do you get lunch?” asked Mercer.

“You get a Noel Coward lunch,” Shaw Festival headliner Corrine Koslo assured him – “a martini and a cigarette!”

You can catch Mercer’s festival apprenticeship — in a Sondheim musical, no less! – tomorrow night at 8 pm on CBC.

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MEAT & GREET: Still-gorgeous Candice Bergen, as magnetic on Boston Legal as she was on Murphy Brown, admits she has a strong feelings about eating any kind of four-legged animal.

“Also some two-legged,” she adds, “like duck. I will never eat duck. And I haven’t eaten pork or beef, especially veal, for 35 years. This started because I suddenly started to find people carving into these bloody haunches of meat so disturbing. And after walking through the former huge market square in Paris, with hundreds of carcasses hanging side by side, it just repulsed me and I decided to keep my own half-assed vegetarianism.”

She says she doesn’t mention it at dinner parties.

“I just eat around the meat. I’m not a pain in the ass, but I cannot eat meat now — even some that looks and smells delicious, like barbecued ribs or prosciuto — without feeling like I am betraying animals.”

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BEFORE THE GAY GUY SEES YOUR BOOBS: Funnybone tickler David Sedaris (When You Are Engulfed In Flames) admitted to Sharp magazine interviewer Jeremy Freed that he’s a major fan of Sidney Lumet’s masterwork Before The Devil Knows You’re Dead.

“I don’t understand why they just didn’t give an Academy Award to everyone who was in that movie,” he told Freed.

TOMEI

He was also admitted that he was somewhat bedazzled by Lumet’s wide-screen exposure of Marisa Tomei’s breasts.

“I’m curious, too, because I’m not a good judge of these sorts of things, were those really Marisa Tomei’s breasts? Or do you think that she had something done? She must be, like, 45 or something,” Sedaris reckoned.

But why the fascination with Ms. Tomei’s ta-tas?

“Because I’m a homosexual and I don’t see many breasts, I always thought that breasts, like, just looked a certain way. I didn’t know there were so many styles of them. But Marisa Tomei’s breasts look like a mermaid’s breasts.

“If I were her,” he added, “I would never wear a shirt.”

Then again, if you were her, you wouldn’t be David Sedaris.