Tag Archives: Royal Akexandra theatre

Bye bye Bistro, Kathleen keeps her clothes on, and Titanic goes on and on (and on, and on, and …)

ANCHORS AWEIGH: Apparently it’s not only Céline’s heart that will go on and on. A boatload of new productions mark the 100th anniversary of the sinking of the Titanic next month. First up is the premiere of the new Julian Fellowes four-part mini-series Titanic on Global this Wednesday. This new version by

TITANIC: sinking ship syndrome?

Fellowes, who penned Downton Abbey— which, coincidentally, started with news of the Titanic sinking – follows the aristocrats staying in first-class cabins and the lower class families residing in steerage. “Each episode focuses on individual families but will feature every character as their stories become

REID: in four-part mini-series

intertwined with each other. Viewers will also see the ship begin to sink in every episode as the series builds up to the finale when it will be revealed who survives and who doesn’t.” Advance reviews are a bit iffy so far (c’mon, we already know how it ends) but insiders say the real fun is betting on which of the familiar faces on board (eg., David Eisner, Toby Jones, Linda Kash, Noah Reid, Linus Roache) will sink or swim. Next up: Titanic: The Canadian Story, a new two-hour special on the historical event we can’t seem to get enough of, set to air Thursday April 5 on CBC’s Doc Zone. Did you know that included among the more than 2,200 passengers and crew on the Titanic were 130 men women and children bound for Canada? Me neither. But

CAMPBELL: in 12-part series

wait – there’s more. On Monday April 9 National Geographic kicks off a week-long Titanic salute with Titanic: The Final Word with James Cameron. (Do we believe that ‘final word’ bit? Not for a minute.) But wait – there’s more. Also in the works is Titanic: Blood & Steel, at 12-episode dramatic series that focuses on the construction of the ship, its owner and the workers, and is set in the Belfast shipyards in 1907. All-star cast members already signed include Sir Derek Jacobi, Neve Campbell and Chris Noth.  Can Titanic: The Musical and Titanic: The Mobile App be far behind? Stay tuned.

QUOTABLE QUOTES: “I’ve learned that great style has little to do with what you wear. It’s how you wear it and who you are. Confidence is the best fashion

BEKER: 60 reasons to celebrate

accessory. I’ve learned never to wish to be in someone else’s shoes — you never really know where they’ve come from or where they’re going. I’ve learned that aging should make us better, not bitter. I’ve learned that Botox can help.” The learner? Jeanne Beker, suddenly 60, in one of her best columns ever, in today’s Toronto Star. My personal favourite? “I’ve learned that inner beauty is the only kind that really counts. But good lighting helps.” To read the unsinkable Ms. Beker’s unique summing up of what she’s learned so far, click here.

FOOTLIGHTS: Toronto audiences will get a chance to see Kathleen Turner’s much-lauded stage performance as a salty nun trying to rehabilitate a 19-year-old drug user when High opens in May at the Royal Alex. And before you ask, this

TURNER: on a High

time it’s her young male co-star who appears on stage in the nude. Sister Turner, I’m advised, keeps her clothes on … among the sparklies on the New York stage this week is Eric McCormack, currently treading the boards with Angela Lansbury, James Earl Jones, John Larroquette and Candice Bergen in previews for a star-studded revival of Gore Vidal’s truth-searing political drama The Best Man … Tony Award-winner Rob Ashford is set to direct and choreograph the stage adaptation of Tim Burton’s Alice in Wonderland, a new big-budget Disney musical set to premiere in London next year. The musical will

McCORMACK: back on Broadway

incorporate Burton’s unique aesthetic into the show’s design, follow the plot of the 2010 film — the ninth highest-grossing film of all time (!!!) — and will feature a book by the film’s screenwriter Linda Woolverton … and Kate Winslet is toying with the notion of making her stage debut in a revival of David Hare’s drama Skylight. The production would be helmed by Hare himself, with Bill Nighy reprising his role as Tom Sergeant, most likely for a West End opening followed by a limited Broadway run.

Stay tuned.

THE NIGHT THEY CALLED IT A DAY: Once the Sardi’s  of Toronto, Bistro 990 served its last suppers Saturday night and officially closed Sunday morning, with a closing party on the premises last night. Among the dozens of

BISTRO 990: Going, going ... gone

merry mourners greeted by owner Tom Kristenbrun and maitre d’ Victor Magalhaes were Bistro regulars Austin Clarke, Larry Dane, ‘Party Barbara’ Herschenhorn, Bill Marshall, Gordon Pinsent, Sari Ruda, Rob Salem, Sara Waxman and Rita Zekas, whose Stargazing columns put the French bistro on the media map and kept it there for decades. Meanwhile, across town at Eglinton and Bathurst, despite headlines announcing its imminent demise due to city expropriations, the House of Chan is still thriving.  One media scribe reported

HOUSE OF CHAN: Business as usual

that the restaurant entrance was locked after he personally checked it out; apparently he didn’t realize that the legendary Toronto steak oasis that Donny Lyons lyonized  is open only for dinner, from 5 pm on. If proposed subway construction forces the restaurant to close in the future — and that’s still a big If —  it won’t happen until at least 2014. Until then, you can expect Chan to continue to serve up all its famous specialties seven nights a week. And amen to that!

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Who wouldn’t talk about Hef, who got shortchanged in my TIFF tally, and who took home the hardware

GOOD MORNING, TORONTO: Welcome to another razzle-dazzle week of entertainment in Our Town.  Among the notable treats in store: The Boys In The Photograph, the new Andrew Lloyd Weber–Ben Elton musical about

SLEAN: on Abbey Road

SLEAN: on Abbey Road

young men and women involved with a neighbourhood soccer team in Belfast in 1969, opens tomorrow night at the Royal Alex … DanceWorks opens its new show, Namesake: three, on Wednesday at Harbourfront’s Enwave Theatre … also opening Wednesday: The new Allen Cole-Melody Johnson-Rick Roberts collaboration, Mimi (or A Poisoner’s Comedy) at the Tarragon  … Darren Anthony’s new concert show, Secrets Of A Black Boy, produced by his sister Trey (Da Kink In My Hair) Anthony, opens at the Music Hall on Friday, the same night conductor Jean-Philippe Tremblay, Anton Kuerti, Richard Margison and more launch a reportedly spectacular new

RIVERS: Saturday night

RIVERS: Saturday night

Royal Conservatory music venue, Koerner Hall, in the Telus Centre for Performance and Learning on Bloor Street West … Chick Corea and Sophie Milman christen the hall with jazz the following night … Celebrity Apprentice champ and TSC favourite Joan Rivers plays Casino Rama that same Saturday night … and Kevin Hearn, Raine Maida, Steven Page and Sarah Slean are among the celebrated warblers who will lend their voices when Andrew Burashko’s Art Of Time Ensemble salutes the 40th anniversary of The Beatles’ Abbey Road with a re-imagined, re-invented concert version running two nights only, this Saturday and Sunday, also at the Enwave.

And that’s just for starters, folks.

MY BAD: It’s easy to get cross-eyed when so many stars come to town at the same time. At least, that’s my lame excuse for telling you that Colin Farrell and

BETTANY: double-header

BETTANY: double-header

Julianne Moore ruled the TIFF roost this year with three, count them, three films each, while celebrated runners-up George Clooney, Colin Firth and Amands Seyfried each appeared in two TIFF entries. All of which is true, except for two guys I forgot to mention. Don’t know how I missed him, but Willem Dafoe also deserved to be in that top spot with Colin and Julianne, as he appeared in no less than three TIFF titles this year: Antichrist, Daybreakers and Farewell. Sorry about that, Willem. And yes, Paul Bettany, who played Charles Darwin in the opening night film Creation and Lord Melbourne in the closing night film Young Victoria, should have been listed with Clooney, Firth and the young Ms Seyfried in second place. And yes, I’m just hoping I didn’t miss anyone else.

PLAYBOY OF THE EASTERN FILM FESTIVAL: After three capacity crowds jammed the TIFF cinemas where her much-discussed documentary on Hugh Hefner premiered last week, director Brigitte Berman admitted that

BENNETT: talking about Hef

BENNETT: talking about Hef

by the time she finished shooting she had an embarrassment of riches, and had to delete scenes she loved from the original version to bring the film to a more manageable size. Deletions included interviews with the magazine magnate’s two sons, and the stories they tell about how they were treated in high school as Hugh Hefner’s offspring are apparently so fascinating that Berman intends to include that footage as a separate feature when the film is released on DVD. At a Q&A after the film she informed us that Playboy is the second best-known brand in the world — “Coca-Cola is number one,” she added — and that the toughest interview subject to secure, surprisingly, was Tony Bennett. “His agent is very protective of him, as he should be. But as soon as Tony was told of the request, he was all for it, and just a pleasure to work with.”

Did any key players from Hef’s past actually turn her down? “Yes,” replied the ever-candid Oscar-winning director — “Gloria Steinem, Jules Pfeiffer and Bill Cosby.”

WHO WON WHAT: As T.O. filmfest chief Piers Handling noted on Saturday night, TIFF delivered not only 335 films but also 10 days of consecutive sunshine – “the summer we did not have.” But thanks to superb programming, meticulous planning and the more than 2,000 volunteers (!!) who help make it happen, it was truly a festival to remember.

CLARKSON: winning film

CLARKSON: winning film

Finally, just in case you missed it, here’s who took home the hardware from the 34th annual Toronto International Film Festival.

– Best Canadian Short Film: Pedro Pires, Danse Macabre. Honourable mention: Jamie Travis,The Armoire.

– Best Canadian First Feature Film: Alexandre Franchi, The Wild Hunt.

– Best Canadian Feature Film: Ruba Nadda, Cairo Time, with Patricia Clarkson, Tom McCamus and Alexander Siddig. Special Jury Citation: Bernard Émond, La Donation (The Legacy).

– FIPRESCI Prize (Prize of the International Federation of Film Critics for Discovery:) Laxmikant Shetgaonkar, The Man Beyond the Bridge (India).

SIDDIG: Cairo Time

SIDDIG: Cairo Time

– FIPRESCI Prize for Special Presentations: Bruno Dumont, Hadewijch (France).

– People’s Choice Award: Lee Daniels, Precious: Based on the Novel “Push” by Sapphire. First runner-up:  Bruce Beresford, Mao’s Last Dancer. Second runner-up: Jean-Pierre Jeunet, Micmacs (Micmacs à tirelarigot).

– People’s Choice Award – Documentary: Leanne Pooley, The Topp Twins. Runner-up: Michael Moore, Capitalism: A Love Story.

– People’s Choice Award – Midnight Madness: Sean Byrne, The Loved Ones. Runner-up: Michael Spierig & Peter Spierig, Daybreakers.

TOMORROW:

Margaret Atwood, Twyla Tharp, Rick Mercer, and more.