Tag Archives: My Life In Ruins

Ms Vardalos gets her Greek god, Ms Murray teaches us a lesson, and Ms Fonda twitters at the Tonys

MEET MR. GORGEOUS: We don’t know him over here, but Nia Vardalos’ leading man in My Life In Ruins, Alexis Georgoulis, is apparently the George Clooney of Greece. After audience reaction to him at the first sneak previews,

VARDALOS & GEORGOULIS: Mr. Gorgeous?

VARDALOS & GEORGOULIS: Mr. Gorgeous?

 the U.S. press has started calling him Alex Gorgeous. “Which I think is apropos,” Vardalos told wowOwow web writer Kristin Fritz. “One reviewer said, because apparently I have an every-woman look, and I have this gorgeous, Greek god as my male lead, the reviewer basically said, ‘Who do you think you are?’ And I’m like, umm, hi. No one. I’m just an every-woman. And in the same way that Seth Rogen gets Katherine Heigl in Knocked Up, and Paul Giamatti gets Virginia Madsen in Sideways, yes, my character gets the Greek god in this one.”

QUOTABLE QUOTES: “At a very young age I learned from my parents to have respect for all people no matter what race, religion or station in life. Respect takes on many forms. Respect is being on time: your time is no more important than others. Respect is being prepared: people are relying on you. Respect is treating everyone with dignity. The janitor, the gardener, the CEO should all be acknowledged and appreciated for the jobs they do. My father taught me to always stand up when being introduced to someone. When you shake his hand, look him in the eye. Take time; remember his name; make him feel special.”

MURRAY: wise wotds

MURRAY: wise words

The speaker? Supersongstress Anne Murray, to graduating students at the  University of Prince Edward Island. Murray, whose hit Music Of My Life special encored last weekend on CBC Television, is currently putting the final touches on her memoirs for October publication. But she’ll still be spending most of the summer in Nova Scotia and looks forward to greeting her legions of fans on July 25 for 20th anniversary celebrations of the Anne Murray Centre in Springhill.

EVERY LITTLE MOVEMENT:  New showbiz sport is trying to spot Twitterbugs at major theatrical openings. Did you notice that Jane Fonda was all a-Twitter at the Tony Awards two nights ago? Fonda has just returned from a trip

FONDA: Tony Twitterer

FONDA: Tony Twitterer

to the Galapagos with a group that included Angela Lansbury’s nephew David Lansbury. When David’s aunt won her fifth Tony, as Best Featured Actress for Blithe Spirit, Fonda noted, “as usual, she was graciousness incarnate.”  But she admitted she was as surprised as we were when Next To Normal “won best new score, beating Elton and Dolly. I haven’t seen it — yet.” Fonda and her fellow nominees were also enlisted as impromptu extras: “We’ve just all been handed throw-away lighters, I guess to light up during an upcoming Rock of Ages number,” she reported.  When the cast of Hair danced into the orchestra seats, she said, one of them landed in the lap of her pal and fellow nominee Janet McTeer. “This number from Hair really makes me wanna see it,” she added. After she lost the best actress prize to Marcia Gay Harden, Fonda was still sanguine. “For me it felt like a prize just getting to this. Janet McTeer and I will now go have some vodkas with impunity.” And after Hair won Best Musical Revival, Fonda footnoted, “I swear, half the audience is up there to accept the Tony!”

 

SPACEY: Tony talk

SPACEY: Tony talk

Yeah, there did seem to be a lot of that going on. Meanwhile, unless you were in a musical, you could hardly get arrested on this year’s unfortunate televised event. Mind you, Poison rocker Bret Michael came pretty close when he got bonked by the descending backdrop and ended up with a broken nose. Quipped Juno screenwriter Diablo Cody: “I’m concerned about Bret Michaels’ fractured nose. An acute sense of smell is essential to his dating process.” Meanwhile, stage & screen lion Kevin Spacey told New York Post scribe Michael Riedel he thinks the Tonys should be taken over by PBS, directed by Broadway veteran Mike Nichols and given the formality and inclusiveness that the theater deserves.

Dunno who would pick up the tab, but it sounds like a darn good idea to me.  

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Good morning, T.O. June is bustin’ out all over!

Nah, don’t worry. It’s June, at last, but I’m not gonna go R&H on you. Although I must admit, the word-of-mouth on the Andrew Lloyd Webber‘s new production of Sound Of Music continues to be nothing short of spectacular. And

MITCHUM: sinister

MITCHUM: sinister

 with that in mind, welcome to another week of razzle dazzle in Our Town.  Tasty items on this week’s showbiz menu include tonight’s TIFF Cinemateque screening of Otto Preminger’s sinister Jean Simmons-Robert Mitchum thriller, Angel Face, at the AGO, and  the announcement of the nominees for the 30th Annual Dora Mavor Moore Awards, not to mention the 2009 recipients for the Barbara Hamilton Memorial Award, the George Luscbombe Award and the Leonard McHardy and John Harvey Award, on Wednesday. Hip-hop soul man a.k.a. Subliminal launches his debut album TRAINATHOUGHT with an industry showcase Thursday night at

VARDALOS: in ruins

VARDALOS: in ruins

the Harlem Restaurant & Lounge; My Big Fat Greek Wedding creator Nia Vardalos’ much-anticipated new big-screen comedy My Life In Ruins opens here Friday (for a sneak preview, click here);and Saturday treats include tenor Guy Flechter, who will sing Johannes Brahms’ song cycle Die Schöne Magelone, accompanied by pianist Clark Bryan, at the Church of the Holy Trinity; the opening of the National Ballet’s smoldering production of Carmen, with Heather Ogden, Noah Long, Robert Stephen, Sonia Rodriguez and Jonathan Renna burning up the dance floor of the Four Seasons Centre;  and the Cinemateque unspooling of the historic Otto Preminger comedy The Moon Is Blue, with the late, great American screen icon Bill Holden, at the AGO. And why was it so historic, you ask? Well, you had to b e there. But since most of you weren’t, you can read Bosley Crowther‘s review in the New York Times, originally published on July 9, 1953 — yes, Toto, we’re not in Kansas anymore — right here.

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THE NEW ‘VR’:  Starting in July, Vatican Radio will carry advertisements for the first time in its history — provided they are morally and ideologically sound.

STEWART: leaving

STEWART: leaving

Potential advertisers will be screened for “ethical content.” The first advertisements will be for the Italian energy company Enel, and will be broadcast in five languages: Italian, English, Spanish, French and German.

Father Federico Lombardi, who is both the Pope’s spokesman and head of Vatican Radio, said Vatican radio costs over twenty million Euros to run but generates no income. “This programming, with an increasingly stable public, is naturally a place where publicity can more logically be inserted,” Father Lombardi said.

Vatican Radio broadcasts in 40 languages, is available 24/7 on FM stations in Italy, on short, medium and long waves and via the Internet, and employs around 200 journalists to broadcast news of the Pope and the Catholic Church to the world.

DONLON: consulting?

DONLON: consulting?

THE NEXT VOICE YOU HEAR:  Soon to be MIA on CBC radio and CBC Television: Brian Stewart, Don Newman, Steve Finkelman, John McGrath, Jeff Collins, Claire Nantes, Jim Nunn, Mark Bulgutch and more folks you listen to, all of whom are leaving the public broadcaster. CBC News: Sunday’s morning edition aired its last program yesterday after eight seasons; the Sunday night edition will be replaced by The National, which will be telecast seven nights a week beginning this fall. And CBC Radio chief Denise Donlon is rumoured to be consulting with Father Federico Lombardi of Vatican Radio.  (Okay, I made up that last part.)

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SPECIAL P.S. TO THEATRE-GOERS: A new block of  $29 tickets for Stratford shows were released today for any performance of Macbeth, Cyrano de Bergerac or A Midsummer Night’s Dream for any dates from July through August. For details go to www.shakespearetixx.com.

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