Tag Archives: Marcia Gay Harden

Roseanne plots her return, Gordon calls on Ottawa, Reba calls Lily ‘mom’ and Mr. D calls it a season

MUM’S THE WORD:  Remember when she romanced little Tom Hanks in Big? Ageless head-turner Elizabeth Perkins is playing Sarah Chalke’s mother in a new TV pilot, How To Live With Your Parents For The Rest Of Your Life. Who’s playing Dad? Brad Garrett. And John Dore is

ROSEANNE: pilot project

somewhere in the mix too … Lily Tomlin, so good last season as the malevolent matriarch in the hypnotic Glenn Close series Damages, is playing Reba McEntire’s mother in Reba’s new comedy pilot, Malibu CountryMarcia Gay Harden and Kevin Nealon are headlining Howard Busgang’s new pilot Isabel, inspired by the CBC Radio Canada series Le Monde De CharlotteMatthew Perry plays a sportscaster in therapy in his new pilot, Go On. No word yet on who’s playing his mom … and the woman some folks would describe as the mother of them all, and I do mean the one and only Roseanne Barr, is taking another kick at the can with a weekly series, without TV daughter Sarah Chalke (she’s busy) but with TV hubby John Goodman already on board. Roseanne’s new pilot, Downwardly Mobile, is about a trailer park boss –guess who? — who serves as a surrogate mother to all her tenants. And the beat goes on.

FLIGHTS OF THE PINSENT: “Guests may never wash their arms again after rubbing elbows with Gordon Pinsent,” reported the Ottawa Citizen after Pinsent showed up at a benefit party to promote this summer’s Ottawa International Chamber Music Festival. Pinsent will make his Festival debut there on July 30 by narrating Ogden Nash poetry to Saint-Saens Carnival of the Animals and Tennyson‘s Enoch Arden set to Strauss. He’ll also wing to Halifax next month to participate in April 15 events marking the 100th anniversary of the Titanic. In the meantime, his new CD collaboration with Greg Keelor of Blue Rodeo and Travis Good of The Sadies, Down And Out In Upalong, is scheduled to drop next week;  his latest movie project, the 3D IMAX film Flight of the Butterflies, which he just finished shooting in Mexico last month, is currently set to premiere in September; and his new autobiography, Next, is due in stores on October 16. For the inside scoop on the Upalong album, click here. And if you’re in Toronto on April 12, stop by The Drake Hotel and see Good, Keelor & Pinsent showcase their new CD  in person.  So don’t say I didn’t warn ya!

DICKINSON: big decision-maker

GRAND FINALES: If it’s April it must be Season Finale week on CBC Television. Tonight Gerry Dee wraps up the first season of his freshman comedy Mr. D. with Jonathan Torrens and Bette MacDonald, followed by the much-anticipated very last episode of Little Mosque On The Prairie with Zaib Shaikh and Sheila McCarthy. (I believe Little Mosque is the only Canadian sitcom to be inducted into the Museums of Radio and Television Science in both New York and Los Angeles, and last week’s episode, by the way, was a real church-burner — literally!) Also saying sayonara is Big Decision, which wraps up its four-show test-drive tonight too, with Arlene Dickinson on deck as the decision-maker. And tomorrow night we’ll see the season closers of Rick

MR. D & Mr. M: on CBC's Season Finales

Mercer Report and 22 Minutes. Also calling it a season this week: Dragons’ Den, now this country’s top-rated home-grown entertainment show; Republic Of Doyle, coming off its best season yet; Marketplace, which attracted a hefty new audience this season; and the fifth estate, which after 36 noteworthy seasons saw some of its largest audience numbers in more than a decade.  Hey, I’ve said it before and I’ll say it again: Somebody must be doing something right.

TOMORROW:  Watch for the Glenn Gould Foundation to announce the details of a Gala evening celebrating the ninth Glenn Gould Prize laureate Leonard Cohen. A stellar line-up of musical stars and honourary speakers will take to the stage to salute Cohen’s lifetime achievements in music and poetry. Stay tuned.

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Lily learns a lesson, Pat takes the Bard to Venice and Vanessa & Kristin set their sights on Broadway

FOOTLIGHTS: Last week Vanessa Williams started her fourth season as Ugly Betty’s ever-scheming yet oddly lovable magazine editor Wilhelmina Slater,

WILLIAMS: Sondheim serenader

WILLIAMS: Sondheim serenader

a roie which has won her three consecutive Emmy Award nominations to date. This week the former Miss America is plotting her return to Broadway with powerhouse Barbara Cook in a new nightly tribute to Stephen Sondheim. Williams starred as the Witch in the 2003 revival of Sondheim’s Into The Woods. “Ugly Betty is my priority,” she says candidly, “and we shoot in the spring — so there are going to be some days that I may not be able to do the Sondheim show. But we’re going to do as much as we can so I can do an eight-show week.” The new musical, Sondheim On

CHENOWITH: Bacharach baby?

CHENOWITH: Bacharach baby?

Sondheim, will be directed by her Into The Woods champion James Lapine and is scheduled to open early next year … remember Shirley MacLaine and Jack Lemmon in the 1960 Billy Wilder film classic The Apartment? Remember Jerry Orbach and Jill O’Hara in the 1968 Broadway musical version, Promises, Promises? Remember all those hummable Burt Bacharach-Hal David tunes like I’ll Never Fall In Love Again? Word on the Great White Way is that Wicked scene-stealer Kristin Chenowith will return

LAHTI: Carnage

LAHTI: Carnage

to the New York stage to play opposite Will & Grace funnyman Sean Hayes in a modernized 2010 revival of the hit musical. Stay tuned … and here’s one for the Change Partners & Dance Dept.: A new cast for Yasmina Reza’s Tony-winning black comedy God of Carnage will begin performances on November 17 on Broadway. Christine Lahti will replace Marcia Gay Harden; Annie Potts has signed on to replace Hope Davis; Jimmy Smits will replace Jeff Daniels; and original West End cast member Ken Stott will recreate his performance as Michael, replacing James

SMITS: replacing Jeff Daniels

SMITS: replacing Jeff Daniels

Gandolfini.

FLICKERS: The 10th annual Planet in Focus film festival, which opened here yesterday, features over 85 films on environmental issues from 25 countries, with pre- and post-screening discussions and panels and special programs for children and schools. A special section of the festival, Land & Conflict screenings, include Canadian premieres of Voices from El Sayed. The 2008 film set in the Bedouin village that is home to the largest community of deaf people in the world; and Jerusalem Moments 2009, a showcase of short films by seven young Palestinian and Israeli directors. To get all the W5, click here … and following a successful pitch at RomaFictionFest, veteran producer Pat Ferns is teaming up with Britain’s Scenario Films to

TOMLIN: class consciousness

TOMLIN: class consciousness

develop Shakespeare in Venice, a dramatic series in the tradition of Shakespeare in Love. Based on exhaustive research by Alessandro Bettero, the screenplays will be co-written with award-winning British screenwriter Gareth Jones … and David Cronenberg is set to appear at tonight’s TIFF Cinemateque screening of Videodrome, his prescient 1983 thriller with James Woods, Deborah Harry and Sonja Smits, tonight at 9 pm at the AGO.

QUOTABLE QUOTES: “I lived in a racially diverse and financially diverse neighborhood and I knew who was favored and who wasn’t and who had “nicer” material circumstances and who didn’t. It was the practice at our grade school in those days to stand and tell the class what you’d received for Christmas that year and it was gruesome because it was clear when a kid was lying or exaggerating out of shame, and I can remember being one of them. You might say you’d gotten a sweater and boots and a new coat and all kinds of things that you never showed up in. I can’t imagine what teacher would support such a practice today unless it was used anonymously to raise political and social consciousness and make it an illuminating exercise.”

The speaker? Lily Tomlin, on becoming class conscious at the age of 7.

MAPLE LEAF JOKES? WE’VE GOT A MILLION OF ‘EM!:

Q: What do the Toronto Maple Leafs and possums have in common?
A. Both play dead at home and get killed on the road.

TOMORROW:

Liz Smith goes on a tear, Jacqueline Bisset goes Italian,

and Ragtime returns to Broadway — without Garth.

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Juno stars Page & Cera and director Jason Reitman return to TIFF with three new flicks. Meanwhile …

PAGE: on a roll

PAGE: on a roll

MEANWHILE: Don’t be surprised if TIFF-bound Jason Reitman, who scored his first big hit at the festival with Thank You For Smoking, bumps into his Juno star Ellen Page. The irresistible Ms Page is coming here to promote Drew Barrymore’s first film as a director, Whip It, which features the most roller derby pulchritude we’ve seen since Raquel Welch tore up the track in Kansas City Bomber.

Meanwhile, joining Page and Barrymore on screen are formidable femmes Marcia Gay Harden, Juliette Lewis and SNL scene-stealer Kristen Wiig, so what’s not to like?

CERA: "hysterically twisted"

CERA: "hysterically twisted"

Meanwhile, Page’s Juno co-star Michael Cera has his own entry in the upcoming TIFF sweepstakes: Youth In Revolt, which TIFF programmer Cameron Bailey describes as an “hysterically twisted coming of age tale,” with Zach Galifianakis, Jean Smart and Steve Buscemi, directed by Miguel Arteta.

Meanwhile, director Reitman, still in L.A. finishing his new TIFF entry Up In The Air, has been taking Sundays off to screen movies he’s never seen but always wanted to. Last Sunday’s screening? Francois Truffaut’s 1959 classic The 400 Blows.

NO PEOPLE LIKE SHOW PEOPLE: Prima ballerina turned prima producer Veronica Tennant is on the Gemini honours list again. This time she’s up for two, with a Best Director nomination for her shot-in-Cuba dance essay, Vida Y Danza Cuba, which is also nominated for Best Performing Arts program. Ms

DORE: clowning at Comix

DORE: clowning at Comix

Tennant’s brilliant cinematographer, Don Spence, is also a nominee this year, for his fearless camerawork on the Rick Mercer Report, which is about to launch its seventh season on CBC Television … reigning country music queen Shania Twain and Tony-winning Wicked star Kristin Chenoweth (Pushing Daisies) have both been tapped to sub for Paula Abdul as guest judges on the next season of American Idol … and Canadian crowd-pleaser Jon Dore headlines at Comix, the comedy club on West 14th Street, this weekend in Manhattan.

OH TO BE A FLY ON THAT WALL: It’s official — Barbara Streisand is giving an intimate concert of selections from her new album at the famed New

STREISAND: new Love

STREISAND: new Love

York jazz club the Village Vanguard on Sept. 26. Her new album, Love Is the Answer, will be released Sept. 29 and marks the first time that Streisand has worked with Diana Krall and her combo. Streisand was executive producer of the album; Krall was producer.

“Her mom used to play my records,” says Streisand, “so she kind of grew up with them. I usually produce a lot of my own things, so we did it as a collaboration.”

The regular CD features the orchestra versions of the songs; the two-disc deluxe CD set also features Streisand performing the selections with Krall’s jazz group.

KRALL: producer

KRALL: producer

Krall always records basic tracks with her band and then the orchestra is added later. “David Foster records that way, where you do the tracks first,” Streisand told L.A. Times reporter Susan King. “I don’t particularly like it. But it brought me back to the way I started, so there was something very … nostalgic … about it.”

The small Manhattan clubs where she got her big break, the Bon Soir and the Blue Angel, are gone now. When she was 19, she auditioned at the Vanguard, where Miles Davis was the star of the show. “I didn’t get the job.” No, but somehow she managed to survive. Last month her three-disc DVD set, Streisand: The Concerts, went platinum after a three-week run at No. 1 on the Billboard Charts, making it the biggest selling music DVD of 2009.

Ain’t showbiz grand?

TOMORROW:

Pre-TIFF Oscar buzz, Hugh Jackman,  Jodie Foster & Mel Gibson, and more.

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Ms Vardalos gets her Greek god, Ms Murray teaches us a lesson, and Ms Fonda twitters at the Tonys

MEET MR. GORGEOUS: We don’t know him over here, but Nia Vardalos’ leading man in My Life In Ruins, Alexis Georgoulis, is apparently the George Clooney of Greece. After audience reaction to him at the first sneak previews,

VARDALOS & GEORGOULIS: Mr. Gorgeous?

VARDALOS & GEORGOULIS: Mr. Gorgeous?

 the U.S. press has started calling him Alex Gorgeous. “Which I think is apropos,” Vardalos told wowOwow web writer Kristin Fritz. “One reviewer said, because apparently I have an every-woman look, and I have this gorgeous, Greek god as my male lead, the reviewer basically said, ‘Who do you think you are?’ And I’m like, umm, hi. No one. I’m just an every-woman. And in the same way that Seth Rogen gets Katherine Heigl in Knocked Up, and Paul Giamatti gets Virginia Madsen in Sideways, yes, my character gets the Greek god in this one.”

QUOTABLE QUOTES: “At a very young age I learned from my parents to have respect for all people no matter what race, religion or station in life. Respect takes on many forms. Respect is being on time: your time is no more important than others. Respect is being prepared: people are relying on you. Respect is treating everyone with dignity. The janitor, the gardener, the CEO should all be acknowledged and appreciated for the jobs they do. My father taught me to always stand up when being introduced to someone. When you shake his hand, look him in the eye. Take time; remember his name; make him feel special.”

MURRAY: wise wotds

MURRAY: wise words

The speaker? Supersongstress Anne Murray, to graduating students at the  University of Prince Edward Island. Murray, whose hit Music Of My Life special encored last weekend on CBC Television, is currently putting the final touches on her memoirs for October publication. But she’ll still be spending most of the summer in Nova Scotia and looks forward to greeting her legions of fans on July 25 for 20th anniversary celebrations of the Anne Murray Centre in Springhill.

EVERY LITTLE MOVEMENT:  New showbiz sport is trying to spot Twitterbugs at major theatrical openings. Did you notice that Jane Fonda was all a-Twitter at the Tony Awards two nights ago? Fonda has just returned from a trip

FONDA: Tony Twitterer

FONDA: Tony Twitterer

to the Galapagos with a group that included Angela Lansbury’s nephew David Lansbury. When David’s aunt won her fifth Tony, as Best Featured Actress for Blithe Spirit, Fonda noted, “as usual, she was graciousness incarnate.”  But she admitted she was as surprised as we were when Next To Normal “won best new score, beating Elton and Dolly. I haven’t seen it — yet.” Fonda and her fellow nominees were also enlisted as impromptu extras: “We’ve just all been handed throw-away lighters, I guess to light up during an upcoming Rock of Ages number,” she reported.  When the cast of Hair danced into the orchestra seats, she said, one of them landed in the lap of her pal and fellow nominee Janet McTeer. “This number from Hair really makes me wanna see it,” she added. After she lost the best actress prize to Marcia Gay Harden, Fonda was still sanguine. “For me it felt like a prize just getting to this. Janet McTeer and I will now go have some vodkas with impunity.” And after Hair won Best Musical Revival, Fonda footnoted, “I swear, half the audience is up there to accept the Tony!”

 

SPACEY: Tony talk

SPACEY: Tony talk

Yeah, there did seem to be a lot of that going on. Meanwhile, unless you were in a musical, you could hardly get arrested on this year’s unfortunate televised event. Mind you, Poison rocker Bret Michael came pretty close when he got bonked by the descending backdrop and ended up with a broken nose. Quipped Juno screenwriter Diablo Cody: “I’m concerned about Bret Michaels’ fractured nose. An acute sense of smell is essential to his dating process.” Meanwhile, stage & screen lion Kevin Spacey told New York Post scribe Michael Riedel he thinks the Tonys should be taken over by PBS, directed by Broadway veteran Mike Nichols and given the formality and inclusiveness that the theater deserves.

Dunno who would pick up the tab, but it sounds like a darn good idea to me.  

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