Tag Archives: Lucille Ball

Marg Delahunty returns to T.O., Meryl & Julia move to Osage County and Jim makes more Mostel magic

NO BIZ LIKE SHOW BIZ:  Savvy scene-stealer Mary Walsh returns to Toronto next month in her new one-woman play, Dancing With Rage. The show, set to run March 6-31 at Theatre Passe Muraille,  incorporates both new

WALSH: Marg Delahunty returns to T.O.

and  familiar faces, most notably 22 Minutes alumni Dakey Dunn, Connie Bloor and the legendary Marg Delahunty. Walsh’s last stage stint here was almost two years ago, at the Panasonic with Andrea Martin and Louise Pitre in Love, Loss and What I Wore, directed by Karen Carpenter. Carpenter is also directing Dancing With Rage and she and Walsh still have to decide if they’ll tour the show after it closes here … Meryl Streep and Julia Roberts are set to co-star in the film version of Tracy Letts’ Pulitzer Prize-winning August: Osage County. John Wells will direct …  the cast of Ghost will perform a sneak peek of the

STREEP & ROBERTS: Osage County gals

show on Jimmy Fallon’s late show tonight before the West End musical hit even begins its Broadway previews … and  remember Slings  & Arrows, the brilliant take-off on Stratford and its oh-so-theatrical inhabitants?  Paul GrossMartha Burns and Stephen Ouimette were sensational, and newcomers Rachel McAdams and Luke Kirby weren’t too shabby either. New York Times writer Neil Genzlinger recently suggested that NBC’s much-ballyhooed Smash should avoid dumbing down its storylines and aim higher. “The writers,” he said, “would also benefit from watching a few seasons of Slings & Arrows, a terrific backstage television series that was smart and proud of it,” he advised. Challenging viewers “to keep up, as Slings and Arrows did, is ultimately more rewarding.”

UP UP AND AWAY: On a clear you can see --- whaaa??

IF YOU GET CAUGHT BETWEEN THE SUN AND NEW YORK CITY:  It was just a publicity stunt for the new sci-fi movie Chronicle, written and directed by director John Landis’ chip-off-the-old block Max. But it sure got people talking. To see how they did it, cick here.

A BRIDGE TOO FAR: Unless you're flying over it, of course ...

NOW IS THE HOUR:  Finally caught up with Jim Brochu‘s much acclaimed performance in Zero Hour, and although I didn’t see how his one-man show could live up to its advance publicity, it easily surpassed it. In addition to being an

BROCHU as MOSTEL: brilliant

extraordinarily disciplined and gifted actor, Brochu is also a brilliant writer and storyteller who is never less than engaging, so you don’t have to be a rabid fan of Zero Mostel to be captivated by his reconstituted presence on stage. I know several long-term admirers of Mostel who have been wowed by Brochu’s tour de force, and after seeing him in action, I can certainly understand why. His personal revelations, including Mostel’s bitter estrangement from his family, are tough and touching. His backstage stories, from his account of Lucille Ball testifying to the House Committee on Un-American Activities to his palpable loathing for

HANGING OUT: Merman & Brochu at Sardi's

Broadway blabbers Elia Kazan and Jerome Robbins, are unforgettable. The Zero Mostel we prefer to remember is the lovable clown from The Producers, the madcap jester from A Funny Thing Happened Our The Way To The Forum, the Jewish patriarch who wished he was A Rich Man in Fiddler On The Roof. But Brochu is a true creature of the theatre — his caricature hangs next to Ethel Merman’s at Sardi’s — and accordingly the artist Brochu reincarnates for us has to fight to be in the spotlight. Zero only gets to star in Forum because first choice Milton Berle and second choice Phil Silvers both turn it down. And although his portrayal of Tevye is burned into the heart of Broadway memory, he was third choice for that one too. (First name on the Fiddler producers’ wish list was Danny Kaye.)

JIM BROCHU as ZERO MOSTEL in ZERO HOUR at Bathurst Street Theatre

When the curtain finally comes down — all too soon for some of us — the fact that we feel like we’ve just spent the evening with Zero Mostel, and not a carbon copy, is further testament to Brochu’s great skill as an actor. On stage here at the Bathurst Street Theatre through March 11, Zero Hour is a fascinating and formidably funny showcase for both of them. Don’t miss it.

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George gets Oprah, Kim gets a sidewalk star and Toronto gets one heaping helping of Hollywood

STARS IN OUR EYES: What a weekend for celebrity-spotting in Our Town.  In addition to Penelope Cruz, Colin Farrell, Jeff Bridges, Jason Bateman, Hugh Hefner, Drew Barrymore, Ewan McGregor (who walked the red

McGREGOR: took flight

McGREGOR: took flight

carpet, then dashed to Pearson International to catch a flight) and too many more to mention here, Anne Murray hosted the stars receiving Walk Of Fame honours on Saturday night at the Four Seasons Centre. New sidewalk star owner Kim Cattrall, back in New York this morning shooting Sex And The City 2, also sparkled at George Christy’s 25th annual filmfest family reunion at the Four Seasons, as did Michael Caine, Rachel Ward & Bryan Brown, Norman Jewison, Michael Sheen, Rex Reed, novelists Ron Base & Shinan Govani, Seamus O’Regan, Chaz & Roger Ebert, Ben Mulroney and An Education scene-stealer Carey Mulligan, who flew to Manhattan yesterday to start shooting Wall Street 2 with Michael

CATTRALL: Back to Manhattan

CATTRALL: Back to Manhattan

Douglas. A few blocks away at Il Fornello TIFF co-founder Bill Marshall & Sari Ruda hosted their annual All-Star Lunch for directors Fred Schepisi, Patricia Rozema and Don Shebib, satirist Rick Miller, filmfest veteran Tony Watt, columnist Martin Knelman, ex-Toronto mayors David Crombie & Art Eggleton and many more. Veteran filmfest programmer Hannah Fisher and producers Pierre Sarrazin & Suzette Couture were among the guests soaking up the sun and snacks at Tonya Lee Williams’ lively networking reception at The Pilot for her ReelWorld Indie Lounge. And producer Laszlo

CLOONEY: with Oprah

CLOONEY: with Oprah

Barna and dozens of TIFF participants showed up to shmooze at the Canadian Film Centre soiree hosted by CFC chief Slawko Klymkiw at The Spoke Club.

Biggest crowd-pleasers of the weekend: George Clooney, who greeted cheering fans Friday night at the premiere of The Men Who Stare At Goats and then showed up with Oprah Winfrey on his arm for the Saturday screening of Jason Reitman’s crowd-pleasing Up In The Air. (My spies tell me Reitman’s Thank You For Smoking star Aaron Eckhart also was there. Who knew?) La Wnfrey herself drew thunderous applause last night at the premiere of Precious, as did Mariah Carey. But it was Michael Caine who earned the most affectionate TIFF standing ovations yesterday in his stellar Q&A session with Canada A.M. stalwart Seamus O’Regan.

TIFF TALK: TIFF visitor Tilda Swinton reportedly wants to star in a new screen version of Mame, more along the lines of stage & screen Mame Rosalind Russell than movie musical Mame Lucille Ball … popular music-makers Terri

SWINTON: new Mame?

SWINTON: new Mame?

Clark and Hawksley Workmen are among the entertainers appearing this week at the Hard Rock Café as part of the fifth annual TIFF-related Canadian Music Café …  Canuck luminaries ranging from Christopher Plummer, Norman Jewison and David Cronenberg to Margaret Atwood, Oscar Peterson and Louise Pitre are currently showcased in a new 30-year retrospective by photographer Edward Gajdel at the o born contemporary gallery on Yonge street … Bobby Del Rio is living the Actor’s Dream. He’s in every single scene of Mio Adilman’s short TIFF film Unlocked … and organizers of the Dubai International Film Festival pulled the plug on tonight’s planned Park Hyatt cocktail soiree. All in all, not Dubai’s best year for public relations. Maybe all the headline-grabbing fuss about the TIFF salute to Tel Aviv scared them off?

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