Julie’s on stage, Dan’s discussing Ghosts and Meryl’s off to Rome for yet another film feast

OUR TOWN: Currently on screen as Graham Abbey’s ex in the crackerjack CBC thriller The Border, Julie Stewart has made some interesting choices since

STEWART: on stage tonight

her CTV Cold Squad series was detoured by CBS. She’s currently on stage here at the Factory Theatre starring in Brad Fraser’s rave-winning new comedy True Love Lies. Be warned: Fraser’s new eyebrow-raiser closes in two weeks, so order those tickets now … writer-actor-vintner Dan Aykroyd and his pop Peter Aykroyd, a father-and-son duo to celebrate, sit down with Indigo chief Heather Reissman tonight at 7 pm at the Manulife store to discuss Aykroyd Sr.’s new book, A History Of Ghosts. Sounds like a sensational gift for Hallo’een … and director Ruba Nadda told audiences at the opening of Cairo Time here

AYKROYD: at Indigo tonight

last weekend that shooting the romantic drama in Egypt was a logistical nightmare, made even more excruciating by the extreme heat. “Much of the time when we were shooting,” she recalled with a grimace, “it was 50C.”  However, she added, while the rest of the cast sweltered under a relentless sun, the film’s star Patricia Clarkson continued to remain calm, collected and, well, almost cool. “Patricia is a southerner, born in New Orleans,” Ms Nadda explained admiringly. “The woman doesn’t perspire!”

PRIVACY POLICY: During her visit to T.O. last week Meryl Streep said she has always strived to keep her private life private. “I just have never been

CLARKSON: no sweat

comfortable using my children as little props to make me interesting or darling or whatever I’m supposed to be,” she told interviewer Johanna Schneller. Streep, who is married to sculptor Don Gummer, said she’s unhappy when journalists ask her to talk about him. “Don doesn’t want me to talk about him in a ladies magazine, you know. He’s a serious artist who has a life that doesn’t deserve to be reduced to a caption.”

La Streep is en route to Rome where she will be awarded the Marcus Aurelius award for lifetime achievement at the fourth annual Rome Film Festival. She’ll

STREEP: off to Rome

participate in an onstage conversation about her career spanning back to her very first film, 1977’s Julia. Jane Fonda was already cast as Lillian Hellman when legendary director Fred Zinneman flew Streep to London to test for the title role. When he gave it to Vanessa Redgrave instead, he asked Streep if she would be willing to play one of the smaller roles. “And of course I would have been willing to do their laundry!” And the rest, as they say, is history.  Previous recipients of the Marcus Aurelius award include Al Pacino and Sean Connery, and Czech director Milos Forman is president of the six-member jury. The festival, also known as the Rome Film Feast, opens tonight.

IT’S NOT ALL THAT FUNNY TO HIM: Monty Python alumnus-cum-laude John Cleese, back on the boards in a blatantly autobiographical one-man show,

CLEESE: on tour

calls his new theatrical venture his “How to Finance Your Divorce Tour.” He says he needs money because of the expensive divorce settlement with Alyce Eichelberger – but is he bitter? Well, okay, maybe a little. “I’m paying $20 million to a woman I believe is the love child of Bernie Madoff and Heather Mills!” snorts the 70-year-old funnyman. “Imagine how much I would have had to pay if Alyce had contributed anything to the relationship – such as children or a conversation!”

Ouch!

TOMORROW:

Roseanne’s TV sibling returns to the Great White Way.

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Meryl stops by before re-teaming with Kevin, and Debbie’s daughter is a Broadway baby now

FOOTLIGHTS: Dynamic screen duo Meryl Streep and Kevin Kline, who made history 25 years ago in Sophie’s Choice, will perform an evening of Shakespeare as a benefit for The Acting Company, the Juilliard offshoot that

KLINE: Meryl's choice

gave Kline his start. Conceived and directed by Kline, The Lover and the Poet: An Evening of Shakespeare will be held at the 400-seat Florence Gould Hall on November 2. Before that, however, they’ll team up with Daniel Craig, Maggie Gyllenhaal,Mike Nichols and Austin Pendleton in a one-night benefit performance of Courage in Concert at the Public Theatre on October 19. In the meantime some chosen few lucky ticket-buyers will get to see Ms Streep in person tonight at the Royal Ontario Museum in Toronto, where she’ll participate in a Q&A with Globe & Mail film analyst Johanna Schneller.

ALWAYS A BRIDESMAID, YES, BUT SUCH A PRETTY ONE: As a presenter she’s handed out hardware to her Star Wars mentor George Lucas and co-star Harrison Ford, but Carrie Fisher says she gave up on hoping for Acting awards a long time ago.

FISHER: wishful winning

She admits she still hoped that she might win “just a little one” for her writing – plaudits for Postcards From The Edge? prizes for The Best Awful or Surrender The Pink? — but alas, no awards have materialized so far.

“I now get awards all the time for being mentally ill,” the bi-polar Fisher notes. “I am apparently very good at it, and I get honoured for it regularly.”

She’s awfully good at writing, too. Which is one of the reasons writers ranging from playwright Terence McNally to novelist Salman Rushdie joined movie stars ranging from Jane Fonda to Harvey Keitel for the opening of Carrie’s one-woman tour-de-force Wishful Drinking last Sunday on Broadway. Fisher made her Broadway debut in 1973 (yessssss, 1973) as part of the chorus backing up her mother Debbie Reynolds in the revival of Irene, but had toured with her even earlier than that, in her mom’s glitzy road show. Those of you with

DEBBIE: still in harness

reeeeally long memories may recall Carrie, still a teenager, standing on stage at the O’Keefe Centre in Toronto in 1970, singing her mom’s hit ballad Tammy while Debbie was backstage making a quick costume change. By the time she played in Irene, Carrie was a seasoned ‘road warrior’ who had seen her MGM-bred mother dump legendary British director Sir John Gielgud (who was still struggling with the musical when it played the Royal Alex for four weeks on its way to New York) for her old studio pal Gower Champion. Champion, a choreographer who lived up to his name, who had already staged a hit musical called Hello, Dolly and pulled Irene into such dazzling shape that it ran for more than 600 performances. (When Debbie grew weary of it, her MGM gal pal Jane Powell took over the rest of the run for her.) Ah yes, them were the days.

STREEP: in Toronto tonight

Debbie, of course, is still alive and high-kicking at 77. This month she and her personal musicians will take her show, An Evening With Debbie Reynolds, to the Julie Rogers Theatre in Beaumont, Texas for a breast cancer fund-raiser. 
Meanwhile, there’s good news for those of us who hunger for more of Carrie’s wickedly witty prose. She’s working on a new book – a collection of stories from movie sets of “films I pretended to act in.” Hope she includes Shampoo.

And speaking of those writing honours that keep eluding her – considering those rave reviews, wouldn’t it be funny if she gets Tony-nominated as both the author of Wishful Drinking and as lead actress in a play?

Stranger things have happened.

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A drama for Amanda, a film feast for Chris, a new musical for Catherine and a Toronto visit for Meryl!

ANOTHER OPENING, ANOTHER SHOW: Sadly, most of the publicity surrounding the making of Chloe, the new Atom Egoyan drama set to premiere

SEYFRIED: at TIFF as Chloe

Sunday night at TIFF, focused on leading man Liam Neeson when his actress wife Natasha Richardson died tragically during the shooting of the film. What no one seems to have noticed is that the title character in Egoyan’s film is played by Amanda Seyfried, so outstanding as Meryl Streep’s daughter in Mamma Mia.  In Chloe she plays a sultry young seductress hired by Julianne Moore to test her husband’s faithfulness. (Expect to hear a lot of tongue-wagging after this one!) … and tonight’s TIFF Galas should offer some genuine surprises. Already winning rave reviews, The Men Who Stare At Goats showcases a stellar cast led by George Clooney, Ewan McGregor, Kevin Spacey and Jeff Bridges in a stranger-than-fiction true story. (Want a sample? Just click here.) And the new version of Dorian Gray, with Colin Firth and terminally handsome Ben Barnes directed by Oscar Wilde aficionado Oliver Parker, reportedly takes that famous portrait mythology to new heights (and depths.) This one sure doesn’t look like any of the Dorian Grays we’ve seen before. For a sneak preview, click here.

OUR TOWN: Hollywood columnist George Christy, Norman Jewison and Gina & Paul Godfrey were among the boldface who turned up for the Best Buddies tribute to Ann-Margaret this week at the Four Seasons. Glamourous

STREEP: Toronto-bound

in a glittering cocktail dress, the award-winning actress beamed when someone asked her if she minds being called Ann-Margrock, her character name on The Flintstones. “No, I love it!” she exclaimed. “That’s why I voiced the part in the first place!”… delighted by its successful run at Niagara-On-The-Lake, Theatre Museum Canada has finally brought its much-lauded retrospective of stage designer Cameron Porteous to T.O. After a week of previews, Risking The Void: The Scenography of Cameron Porteous, opens tonight at the Design Exchange and runs through October 20 … and talk about a hot ticket: current box office queen Meryl Streep is set for a public sit-down session with Johanna Schneller at the ROM on Oct. 7. Bon appetit, ladies!

McKELLAR: Tiff Talent booster

TIFF TALK: The aspiring filmmakers who made the final cut to attend TIFF’s annual Talent Lab are in good and remarkably famous hands this year. Governors overseeing the program are Danny Boyle, John Collee, Miranda July and Cooking With Stella star Don McKellar. Film folk who have agreed to be drop-in mentors include Tilda Swinton, Atom Egoyan, Gaspar Noe, Jane Campion, Bruce Beresford and Suzana Amaral … is anyone having a better year on film that Christopher Plummer? He’s a major voice in Up, one of the summer biggest box office hits, and one of the top-billed stars of the new animated film 9, which opened here this week; he’s nominated for a Gemini Award for his performance in the screen version of his Stratford hit

PLUMMER: as Dr. Parnassus

Caesar & Cleopatra; he plays the title role in Terry Gilliam’s much-anticipated Imaginarium Of Dr. Parnassus, premiering here at TIFF next week; and he and Helen Mirren play Leo Tolstoy and his missus in the new German-Russian-U.K. co-production The Last Station. Can’t wait to see that one … and the best and most significant comment I’ve seen on the current tiff over TIFF’s choice of Tel Aviv for its City To City program comes from Toronto film critic Peter Howell. Says Howell: “Film festivals are supposed to be about opening minds, not closing them.” To which we say, bravo. To read his thoughtful column in yesterday’s Toronto Star, click here.

DOUGLAS: playing Solitary

STARS IN OUR EYES: New Manhattan-dwellers Michael Douglas and Catherine Zeta-Jones won’t have a lot of time to unpack their California bags. He’s already started shooting Oliver Stone’s sequel to Wall Street, reprising his role as imprisoned corporate crook Gordon Gekko opposite TIFF scene-stealer Carey Mulligan (An Education.) Meanwhile Solitary Man, Douglas’ meaty new drama with Susan Sarandon, Mary-Louise Parker and his longtime pal Danny DeVito premieres at TIFF next week. Meanwhile the ravishing Zeta-Jones, who won her

ZETA-JONES: back on the boards

Oscar for her song-and-dance tour de force in Chicago, is starting rehearsals for her return to the musical stage in A Little Night Music, tackling the role played by Glynis Johns on Broadway, Judi Dench in London, Jean Simmons in Toronto and Elizabeth Taylor on screen. And speaking of Dame Elizabeth, who not so coincidentally happens to be the Founding International Chairman of AMFAR – will she jet here to attend our first-ever Cinema Against AIDS Toronto Gala on Tuesday at the Carlu? And will Global Fundraising champion Sharon Stone come with her? Kevin Sullivan & Trudy Grant are presenting sponsors of the lavish evening, which features a special dinner designed by Jamie Kennedy with Sarah McLachlan and Deborah Cox served up for dessert. For ticket information, click here.

Have a great TIFF weekend.

See you at the movies!

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