FRENCH WITHOUT TEARS: Hard to believe, but Marcelle Lean’s once-struggling Cinefranco Film Festival is celebrating its 15thstanza this year. After running a successful weeklong school program of screenings last month, the
NICO & MYLENE: They've got Rhythme
festival opens to the general public this Friday at TIFF Bell Lightbox. Weekend highlights already generating a sizeable buzz include Nico Archambault’s splashy performance with Mylène Saint-Sauveur in On The Beat/Sur le rhythme, directed by Charles-Olivier Michaud; the new Isabelle Hupert entry, My Worst Nightmare/Mon pire cauchemar, directed by Anne Fontaine; director Emmanuel Mouret’s new comedy The Art Of Love / L’art d’aimer, with François Cluzet and Julie Depardieu; and Dominic Desjardins’ opening night film, La Sacrée. For the complete list of films and how to get to see them, click here – et bon cinema!
OUR TOWN: Lots of openings tonight. A revisioned version of The Vindication of Senyora Clito Mestres, directed and performed by Dora nominee Dragana Varagic, is set to run tonight through Sunday at Theatre
RODRIGUEZ: opening night
Passe Muraille’s Backspace, with an additional performance March 31 at the Isabel Bader Theatre … Coleman Lemieux & Compagnie bring back Lemieux’s acclaimed 2003 choreographic work Varenka, Varenka! from tonight through March 31 at the company’s new dance centre in Regent Park, The Citadel. The work is inspired by Fyodor Dostoevsky’s first novel Poor Folk, about an aging clerk and his love for a young woman in mid-nineteenth century Russia … and wow, what an opening night cast! — Guillaume Coté, Greta Hodgkinson, Aleksandar Antonijevic and Sonia Rodriguez. Still wondering if you will be able to keep all the different lovers distinct and separate when John Neumeier’s splashy ballet version of Anton Chekhov’s The Seagull opens tonight at the Four Seasons Centre for the Performing Arts? Fear not – the National Ballet has produced a cheeky one-minute video guide to all the love affairs in the show. To see it, just click here — and enjoy!
ROBERTSON: Napkin Man
TV SHOP TALK: Corus Entertainment will launch its newest service, ABC Spark, next Monday with the day-and-date season premiere of The Secret Life of the American Teenager. The primetime schedule will also include ABC Family original series Switched at Birth, Melissa & Joey, The Lying Game and Make It or Break It … BBC director general Mark Thompson will step down after the London Olympic games this summer … KIds’ CBC is currently developing a new show for small fry called The Adventures Of Napkin Man, hosted by Barenaked Ladies charmer Ed Robertson … Discovery Networks International has bought a 20% stake in French pay-TV company Televista, gambling that
SCHONEBERGER: Rose d'Or host
Televista will move into France’s free-to-air market … and only three Canadian entries made it to the finish line as Rose d’Or nominees this year. Storming Juno Interactive, produced by Secret Location for History Television, is a Multiplatform nominee; For One Night Only, produced by Les Productions Rivard for ARTV, is a Live Event Show nominee; and Property Brothers, produced by Cineflix Inc. for the W Network, is a Lifestyle finalist. Winners will be revealed on May 10 when German TV presenter, actress and singer Barbara Schöneberger hosts the Rose d’Or awards ceremonies in Lucerne.
WOMAN’S WORLD: It’s been a year or three since she lit up home screens as Felicity, but now Keri Russell is set to star in FX’s period drama pilot The Americans. Russell will play an undercover KGB spy who starts to fall in love
GUMMER: will First Cut be the kindest?
with her arranged husband (also a spy). Hmmm – wonder if Scott Speedman is available … Meryl Streep’s talented actress daughter Mamie Gummer, so good in her guest stints with Julianna Margulies on The Good Wife, is the lead in CW’s new medical drama pilot First Cut … three-time Oscar nominee Sigourney Weaver is set to star in her first primetime series, Greg Berlanti’s USA pilot Politcal Animals. She’ll play a former First Lady who is now Secretary of State. In the good old days the networks would have waited until Hillary Clinton left the job — but hey, these are the good new days. Or so they tell me.
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By George 