A living doll named Andriana brings down the (opera) house when Hoffman starts telling his Tales

POWER PLAY: Andriana Chuchman gets re-charged by Steven Cole

SHOCK TREATMENT: You don’t expect a lot of repressed mirth at the opera, even when the themes are tragicomic. But Toronto opera goers are howling with laughter this month at Andriana Chuchman’s diabolically funny performance in the new Canadian Opera Company production of Offenbach’s Tales of Hoffman. In case you’re unfamiliar with the plot, it’s all about a

CHUCHMAN: living doll

romantic poet [Hoffman] who becomes a greater and more insightful poet after he amorously pursues three enigmatic women with disastrous results. Which is where Ms. Chuchman comes in. Hoffman is sure that in the exquisite Olympia he has found the perfect woman –apparently the fact that she sleeps in a glass coffin has somehow eluded him — and vows to make her his own. Alas, Olympia is a mechanical doll, brought to life by jolts of electricity that evoke nostalgic memories of Elsa Lanchester rising to the occasion as the Bride of Frankenstein. As directed by Lee Blakely, clearly a disciple of the Mel Brooks school of drama, and as deftly executed by Winnipeg-born soprano Chuchman, Olympia is a brilliantly bawdy creation, sung with spellbinding precision and a sense of punch-line timing

SHEARER: as Olympia in 1951

worthy of Madeline Kahn. It’s a great role, of course; ballerina Moira Shearer danced it in the award-garnering 1951 screen version more than half a century ago. But the remarkable Ms. Chuchman takes it to a new and hilarious level, and the performance frequently interrupted by spontaneous applause from a most appreciative audience. Her star turn is the diamond in a show filled with gems, including Russell Thomas’ searing Hoffman, Erin Wall‘s tortured Antonia — how often do you get to sing all those great arias about how you’re not supposed to sing? — Steven Cole’s amusing posturing as all four thankless servants and John Relyea‘s tour de force performances as all four demonic villains. Tales of Hoffman is on stage at the Four Seasons Centre for the Performing Arts through May 14, and even with those memorable Offenbach melodies, I predict it’s Ms. Chuchman’s Olympia you’ll still be talking about long after the final curtain comes down.

ALICE & CHESHIRE CAT: her Adventures are bound for L.A.

BALLET HIGH: The National Ballet of Canada will return to L.A. this fall for the first time in 35 years. The company will bring its spectacularly successful production of Alice’s Adventures in Wonderland to the Los Angeles’ Music Center, October 19–21. Closer to home, the National’s celebrated outreach programme YOU Dance is in Thunder Bay this week, introducing students in

BRUEGGERGOSMAN: we've got a crush on her

grades four to six to the world of dance through free workshops and performances. Now only five years old, YOU Dance has already performed free of charge for more than 48,000 students and teachers in Ontario. Hey, somebody’s doing something right …

SHARPS & FLATS: The irrepressible World Rock Symphony Orchestra is back rocking Fallsview Casino this week and next, with homegrown rocker Gowan set to play a three-night stand there on July 11-13 …  the incomparable Measha Brueggergosman serenades fans with songs from her new pop album, I’ve Got A Crush On You,  tonight  at the Markham Theatre and tomorrow night at Trinity St. Paul’s Church …  Jack de Keyzer brings his Blues

HOFFERT: Sunday salons

Revue to the lakefront this weekend with a Saturday night gig at the Riverview Room atop the Port Credit Legion … and always-in-demand music man Tom Szczesniak joins Paul Hoffert’s Sunday afternoon jazz salon at Musideum this weekend.

OUR TOWN: Super shutterbug Barbara Cole’s new photo exhibit, Two People Walking A Tightrope In An Ordinary Life Filled With Extraordinary Moments – love that title! – is now on view at the Baux-XI Photo gallery across from the AGO … Grace Restaurant on College Street celebrated its fourth birthday this week with a new chef, Kevin Gastonguay, replacing exiting rave-maker Dustin Gallagher … still in a festive mood, Esmeralda Enrique Spanish Dance Company celebrates its 30th Anniversary this week with tonight’s world premiere of Aguas/Waters at the Fleck Dance Theatre at Harbourfront. Aquas/Waters is choreographed by Artistic Director Esmeralda Enrique and Juan Ogalla, who won the Dora Mavor Moore Award for Outstanding Dance Performance last year.

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Nurse Jackie gets a pick-up, Michel plays Irving, and T.O. theatre-goers get three decades of Doras

FALCO: she's the right Rx

BEDSIDE MANNERS: American  television has clearly has taken a turn for the nurse. Fans of Sopranos scene-stealer Edie Falco, and they are legion, will be delighted to learn that her new almost three-week-old series Nurse Jackie has already been picked up for a second season …  and Jada Pinkett Smith is following in her mother’s footsteps, playing nurse Christina Hawthorne in HawthoRNe. (No, that’s not a typo. And yes, it really is a bit too cute. But then, here we are talking about it.) Ms. Pinkett Smith’s mom worked as a head nurse at a Baltimore women’s clinic, but in her new series, created by John Masius (St. Elsewhere) and produced by her hubbyWill Smith, Jada says her character is basically a woman with a God complex that’s really going to have to, like, get real. She’s going to have to learn to take care of herself as intensely as the patients.”

Sounds like a prescription for another hit show.

We’ll see.

NO PEOPLE LIKE SHOW PEOPLE: He conquered Stratford, won our hearts on TV as Tommy Douglas, wowed us on stage in The Producers and even survived the musical version of Lord Of The Rings. Now Michel Therriault is

THERRIAULT: Call him Irving

about to play U.S. legend Irving Berlin off-Broadway in a new what-if musical called The Tin Pan Alley Rag. Described as a ‘musical play,’ it’s the story of an imagined meeting of two of America’s greatest musicians, composer Scott Joplin (Michael Boatman) and songwriter Berlin and the stories of fame, love and loss beneath their syncopated, frequently hypnotic rhythms … speaking of Stratford, award-laden director Norman Jewison says Stratford’s current production of West Side Story is the best he’s seen since the show first opened on Broadway more than (gulp!) half a century ago … sad news for you if you meant to but didn’t get around to ordering tickets: Every performance of the Tarragon Theatre remount of one-woman whirlwind Judith Thompson’s Body & Soul has been sold out since the curtain went up last week … Ray Jessel returns to our town to cabaret at the Old Mill next Saturday June 27 during The Toronto Jazz Festival … and Rick Mercer Report producer Gerald Lunz got an extra show on Broadway this week when he caught all three

DeVITO: too bloody funny?

installments of the revival of Alan Ayckbourn’s Norman Conquests, performed in the round at the Circle in the Square. Danny DeVito, who was sitting across the stage from him, literally doubled over with laughter, bounced his face off the seat in front of him, and split his lip. Now that’s comedy!

FOOTLIGHTS: Risking The Void, a comprehensive retrospective of stage designer Cameron Porteous’ remarkable contribution to theatre in Canada, opens Saturday July 4 at The Niagara Pumphouse Arts Centre at Niagara-on-the-Lake. The ambitious exhibit is a collaboration by Theatre Museum Canada, the University of Guelph’s L.W. Conolly Theatre Archives and the Shaw Festival … WatersEdge Productions, a new independent theatre

JEWISON: Stratford aficionado

company, will debut in T.O, with the Canadian premiere of bare, a new rock musical that garnered a worldwide fan base since its award-winning run in L.A. and its sold-out five-week run off-Broadway. The show, in which an exuberant young cast of 19 actors tackles themes of teen sexuality, religious angst and unrelenting social and family pressure – yup, it’s a musical, I kid you not – opens July 17 at Hart House … shhhhh, it’s a secret, but my spies tell me the Toronto Alliance for the Performing Arts is polishing up a special award for superProducer Marlene Smith. To which we can only add, bravo!  … doesn’t seem possible that this is the 30^th anniversary of the Dora Mavor Moore Awards. Imagine three decades of Doras! …  and soon you won’t have to. Theatre-goers attending the June 29 awards will receive an elegant bonus — a special book, The Doras: 30 Years of Theatre, Dance and Opera in Toronto. Edited by Angela Rebeiro, the new book will be distributed free of charge to all guests at the Award Show ceremony. It will go on sale at TheatreBooks after the show … and speaking of the Doras, have you cast your vote for the Audience Choice Award? If you haven’t, you’ve only got a few days left – polls close June 25. So just take a deep breath and click here.

A TOMLIN NEVER FORGETS: American treasure Lily Tomlin wants me to let you know that tomorrow is not just another Saturday.

TOMLIN: on a mission

“On Saturday, June 20, compassionate people around the world will unite to educate the public about the suffering of elephants in zoos, as part of the first-ever International Day of Action for Elephants in Zoos,” says Lily. “Events are taking place in more than 30 cities in seven countries. I strongly urge you to attend an event, if there’s one in your area. Visit HelpElephants.com to see a list of locations.”

Lily’s using her wowOwow. com website to get her message out to as many people as possible.

“From some of the comments I’ve read in response to the issue of elephants in zoos, I’ve come to realize that people are just so used to seeing elephants in tiny displays that they accept that as being OK,” she says. “But it isn’t. While a zoo exhibit may appear big to us, to an elephant it’s miniscule. And don’t forget that elephants are forced to live their entire lives in that same spot, deprived of all that is natural to them: space, freedom, family and choice.”

For more on Lily’s plea for your help, click here.

And have a great weekend!

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