Tag Archives: DIABLO CODY

Mad Men beat the odds, Piers interrupts, and Griffiths, Healey & MacIvor spark T.O. theatre

NO PEOPLE LIKE SHOW PEOPLE: Oscar owners Cuba Gooding Jr. and Mira Sorvino and small-screen scene-stealers Bradley Whitford and Lucy Liu are among the stars currently shooting new TV pilots in L.A. …  filmmaker

ATWOOD: Payback at TIFF

Jennifer Baichwal and Margaret Atwood get the red carpet treatment at TIFF Bell Lightbox tonight for the Canadian premiere of Payback, the new Baichwal doc based on Atwood’s Payback: Debt And The Shadow Side Of Wealth. The Q&A  following the By Invitation Only screening will be hosted by Walrus senior editor Sasha Chapman …  Parks And Recreation laugh-getter Nick Offerman has been cast in Diablo Cody’s directorial debut …  and don’t say we didn’t warn ya: Both of Daniel Lanois’s March 23-24 concerts with Brian Blade at the Great Hall in Toronto are completely sold out. The concerts coincide with Lanois’ induction into the Canadian Music Industry Hall of Fame during Canadian Music Week.

STAGE STRUCK: Three stage giants are set to share their remarkable talents with Toronto theatergoers in the next three weeks. First up is Linda Griffiths, who will reprise her bravura performance as Margaret Trudeau in a reading of

MACIVOR: world premiere

Maggie and Pierre this Saturday at Theatre Passe Muraille, staged by Paul Thompson. Thompson will  also play P.E.T to her Maggie. (Wow, what a way to spend St. Patrick’s Day!) Then, two nights later at TPM, on Monday March 19, Michael Healey will appear in his latest play, Proud, a script Tarragon Theatre reportedly declined to produce for fear of incurring the wrath of the PMO. And two weeks later Tarragon playwright-in-residence Daniel MacIvor, who recently dazzled us with a stunning revival of His Greatness, will premiere his new play Was Spring on April 4 at Tarragon with Clare Coulter, Caroline Gillis and Jessica Moss.  Talk about yer embarrassments of riches! If I were you I’d start dialing for ducats right now.

INTERVIEWUS INTERRUPTUS: He was a solid Celebrity Apprentice, and an appealing if impatient judge on America’s Got Talent but I suspect the romance is over between the public and Piers Morgan.  As the current

MORGAN: interrupter

occupant of Larry King‘s coveted nightly spot on CNN, he’s constantly attracting some of the biggest names in show business, sports and politics — and then constantly interrupting them, clearly bored by their responses.  At one point I thought he was getting over himself; turns out I was wrong. In my opinion Morgan  is absolutely capable of delivering the goods — but only when he pauses long enough to listen, which he does all too rarely. Says Manhattan gossip girl Liz Smith: “Piers Morgan will never warm the cockles of my heart, but I suppose some people enjoy his smirky style.“ Ouch!

IT’S A MAD, MAD WORLD: New Brandon Tartikoff Legacy Award winner Matt Weiner, creator of US cable hit Mad Men, is getting ready to  launch season five later this month. He told C21 that he wrote the pilot for the series before he even started working on HBO’s The Sopranos — but no one would touch it. “HBO rejected the show about 80 times,” he says. “Going to AMC

MAD MEN: taking the fifth (season)

wasn’t a choice; it was the only company that was interested. People were telling me how they felt so bad for me because no one was going to see my show. When Christina Hendricks agreed to be a series regular, her manager fired her.

WEINER: getting Mad

People would say to me: ‘You were executive producer on the most exciting show on TV [The Sopranos] and this is what you turned it into.'” Mad Men was the first original show that AMC picked up, and the network tried to coax Lionsgate into partnering with them. But Lionsgate thought the period-piece pilot was too expensive so AMC shouldered the cost of shooting it. When they saw it Lionsgate execs thought the pilot was extraordinary — which it was — and signed on for the series. Which is how we got to see Mad Men.  And how Mad Men got to become the first cable series the win the Emmy for Best Drama, which it has won every year for its first four seasons. And you thought making television was easy!

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De Niro goes to the Middle East, Mercer goes indoor skydiving (!?!) and Martha goes to war

NO PEOPLE LIKE SHOW PEOPLE: It took filmmaker Brigitte Berman to get the ball rolling, but after the Toronto International Film Festival premiere

DOWNEY JR: Playboy material?

DOWNEY JR: Playboy material?

of her documentary on Hugh Hefner, a major Hollywood biopic is finally going ahead. Producer Brian Grazer (24) recently met with Juno screenwriter Diablo Cody about the project, and Brett Ratner (X-Men) is apparently lined up to direct, with Robert Downey Jr. favoured to play Hef … shhhh, it’s a secret, but my spies tell me irresistible funny girl Monica Parker is currently fine-tuning a new one-woman show cunningly called The Weight Is Over.  Can’t weight, uhhh, wait … and Rick Mercer and Rush rock legend Alex

LIFESON & MERCER: indoor skydiving

LIFESON & MERCER: indoor skydiving

Lifeson go skydiving tonight — the hard way — by attempting to float atop 225 km/h winds generated by a jet engine (!!!) at the Niagara Freefall Indoor Skydiving challenge. And believe me, ‘freefall’ is the word for it. Catch them tonight at 8 pm on the Rick Mercer Report on CBC.

UP IN ARMS: On Thursday night Toronto theatergoers will see the Canadian premiere of Strange News, a 30-minute multimedia work about the plight of

SWANK: as Amelia Earhart

SWANK: as Amelia Earhart

child soldiers. The work, composed by Norwegian Rolf Wallin with text by Belgian actor/director/writer Josse de Pauw, is narrated by the young Ugandan actor Arthur Kisenyi, and comes to us after breaking theatrical ground in Oslo, Birmingham, Porto, Chicago, and Copenhagen. Filling out the bill is a performance of Igor Stravinsky¹s classic A Soldier¹s Tale, narrated by the legendary Martha Henry and directed by Peter Moss. For tickets call the St. Lawrence Centre box office at 416-366-7723 or just click here.

FLICKERS: Why does news of a Tribeca Film Festival in the Persian Gulf remind me of a New Yorker cartoon? Nonetheless, the 31-film festival opens this

DeNIRO: in Doha

DE NIRO: in Doha

week in Doha, Qatar’s capital, with Robert De Niro, Tribeca’s co-founder, expected to be on hand for the opening film, the Hillary Swank-Richard Gere opus Amelia. Unlike red-carpet filmfests in Dubau and Abu Dhabi, Doha is looking to showcase independent films (Steven Soderbergh’s Informant, Michael Moore’s Capitalism: A Love Story) — but hey, it’s still the middle east. Both Doha and Abu Dhabi programmed Bahman Ghobadi’s No One Knows About Persian Cats, a film shot covertly in Iran, but none of the Gulf festivals have programmed a film from Israel, and if your passport is Israeli, you can’t get there from here. Intrigued? Yeah, me too. To catch up with Larry Rohter’s report in last week’s New York Times, just click here.

GET ‘EM WHILE THEY’RE HOT, HOT, HOT: Finally got a chance to see Brad (Love & Human Remains) Fraser’s new comedy about family secrets at

KEELEY & STEWART: hit show

KEELEY & STEWART: hit show

Factory Theatre at a packed Sunday matinee, and now I know what all the fuss is about. Everything about this witty, provocative production is absolutely top-notch, from Bretta Gerecke’s cleverly engaging set to playwright Fraser’s fast-paced cinematic staging and direction. Ashley Wright and Julie Stewart are spectacularly good as the parents, Andrew Craig and Susanna Fournier are outstanding as their confused offspring, and David W. Keeley’s subtle but sly portrayal of the returning restauranteur who unhinges all of them makes this laugh-out-loud dramedy work brilliantly. Don’t miss it. But you will if you don’t act now, because counting tonight there are only six (6) performances left. To snap up your last-chance tickets just click here. And enjoy!

TOMORROW:

Come to the Cabaret.

New shows for Pitre and P. Diddy, mobile phone mania, and underwater training tips from Kirstie

TUBE TALK: Bravo! is making the most of Canadian celebs next season with two new original weekly series.  Mamma Mia and Les Miz showstopper Louise Pitre is hosting Star Portraits, which combines portrait-painting with

PITRE: portraits

PITRE: portraits

biography. And The Great Canadian Bio-Series promises in-depth individual biographies of Canadians who have made a difference, including Glenn Gould, Yousuf Karsh, Ian Tyson and Gordon PinsentP. Diddy comes to MuchMusic with two new reality series, Making His Band and Starmaker, while Diddy’s predecessor, MC Hammer, joins the MuchMoreMusic line-up with Hammertime … new series for Family Channel include a half-hour comedy series from Temple Street Productions. Created by former Dead Troll In A Baggie troupe member Frank van Keeken, Angel on Campus is a live-action comedy series about a devil-may-care16-year-old Angel-In-Training who hopes to get his wings by turning the class loser into the most popular kid at school … and CP24 is going all out to give their predecessor, citytv’s Breakfast Television, a run for its ratings, with original BT host Ann Rohmer anchoring the news channel’s daily 3½ hour morning show.

CODY: twitterbug

CODY: twitterbug

QUOTABLE QUOTES: “I’ve been listening to Taylor Swift. I think she knows more about life than I do. She certainly knows more about having rad hair.”

The speaker? Oscar winning screenwriter Diablo Cody (Juno,) on Twitter.

SORRY, WRONG NUMBER:  They measure TV, so why not cell phones? And the results are in: 21

21 percent of Canadian mobile consumers using their mobile phones to browse the Web and access their e-mail accounts, according to Nielsen Online, a division of The Nielsen Company. Windows Live Mail was the No. 1 website accessed on a mobile phone in Q1 2009, with 1.4 million unique visitors. Google Search (850,000), Facebook (784,000), The Weather Network (674,000) and Yahoo! Mail (652,000) rounded out the top five. The Weather Network was the only Canadian broadcast or specialty service website listed in the Top Ten.

Nielsen is the first third party audience measurement company to release findings specific to the Canadian mobile market.

ALLEY: ooops

ALLEY: ooops

HOUSE CALLS FOR KIRSTIE: The unsinkable Kirstie Alley still works with a trainer who makes house calls. And when she twitters to her more than 40,000 Tweet Peas (her phrase, not mine,) she clearly prefers stream-of-consciousness to regular new-fashioned streaming.

“I need to work on technique … I love weight training … HELL, I AM SUCH A LIAR …thus, I need (a) helper … I DO love water training. Heated up my pool and am going to put on two sets of sweats and run in the pool … tremendous resistance … no impact … I actually do love weights … I trained with them daily from age 8 to 16 … then off and on … love to work arms… ”

She pauses to mention that she will be eating lunch in half-hour with a “really hot Italian guy … too young for me … anyone want him?”

Caring and sharing. That’s our Ms Alley.

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