Tag Archives: CHER

Get ready for GLEE’s sophomore season, Justin in August, and a surprise from the fair maid Marion

THE POWER OF GLEE: First it conquered TV, then the music charts, and now it’s going legit — big time. Cast members from the hit FOX series Glee, led by Spring Awakening star

MICHELE: Glee girl

Lea Michele, have added yet another performance to their run at Radio City Music Hall, so they’ll now do five, count ’em, five shows in that 6,000-seat New York room on the weekend of May 28-30. In addition to Michele, who plays Rachel, the tour cast will include Cory Monteith (Finn), Amber Riley (Mercedes), Chris Colfer (Kurt), Kevin McHale (Artie), Jenna Ushkowitz (Tina), Mark Salling (Puck), Dianna Agron (Quinn), Naya Rivera (Santana), Heather Morris (Brittany), Harry Shum, Jr. (Mike), and Dijon Talton (Matt). And a third CD from the cast, this time featuring the music of Madonna, will be released on April 20, the same day the show’s Madonna-inspired episode is scheduled for telecast. And before you ask: The series’ second season starts Tuesday April 13 on Global.

NO BIZ LIKE SHOW BIZ: Prolific TV producer Laszlo Barna (The Bridge) tells Academy of Canadian Cinema breakfast club attendees what it takes to get a Canadian

BIEBER: T.O.-bound

production on a U.S. network this morning at the Academy’s T.O. office  …  teen sensation Justin Bieber is set to rock the ACC on Aug. 21. Will he arrive driving those new wheels Usher bought him for his birthday? … Broadway lion Victor Garber guests with Allan Hawco on Republic Of Doyle tonight on CBC …and ya gotta love music mogul David Geffen‘s off-the-cuff remarks when he was inducted into the Rock and Roll Hall of Fame last week in New York. “I had no musical talent, but after working in the mailroom of the William Morris Agency I knew how to bullshit, and that’s how I got to handle Laura Nyro, Joni Mitchell, Cher and all the others.”  Whatta charmer!

A DRAGON IN THE DESERT: “I’m in a place some call the ‘Sandbox.’ It’s Dirty. Dusty. Dangerous. Bomb infested. My mission is to boost morale but I am the one who is walking away inspired. I won’t be able to think the same about my life ever again. This trip is having a profound effect on me.”

The speaker? Dragons’ Den diva Arlene Dickinson, tweeting from Afghanistan.

REYNOLDS: light touch

FLICKERS: Crowd-pleaser Paul Giamatti will co-star with Amy Ryan in Tom McCarthy’s Win-Win … Ryan Reynolds and Jason Bateman, both masters of the light touch, will co-star in Universal’s body-switching comedy The Change-Up John Malkovich will reportedly start shooting Transformers 3 with Frances McDormand (now that’s off-the-wall casting!) before winging to T.O. for his Luminato gig in June …the latest film by Donna & Daniel Zuckerbrot, My Nuclear Neighbour, is now a Yorkton filmfest nominee. Neighbour premiered last month on CBC’s The Nature of Things … and the April 10 premiere of Maria Del Mar’s new flick, A Touch Of Grey, at the 10th annual ReelWorld filmfest is reportedly all sold out.

COTILLARD: closet comedienne?

SEE/HEAR: Young French import Marion Cotillard, seems to bring a special elegance to all her work, from her Oscar-winning turn as tortured chanteuse Edith Piaf to her portrait of Daniel Day Lewis’ betrayed wife in Nine. So what you are about to see is, I promise, a complete departure from the Marion we’ve seen on screen so far, but perhaps an indication of the secret Cotillard that lies within. It’s a fabulously funny send-up of so many commercials we’ve suffered through, and it comes, yet again, from Will Ferrell’s fertile Funny Or Die comedy site.  Click here, and enjoy!

TOMORROW:

Margaret Atwood, Shia Lebeouf, Jann Arden, Roger Ebert and more.

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Charlize gets Sam, Rivers gets roasted, Leo gets Brave, & TIFF film buffs get The Essential 100

NO PEOPLE LIKE SHOW PEOPLE: Okay, in the Golden Age of Hollywood they would have made him change his name. Zach Galifianakis, who has

STREEP: As new bestseller Julia Child

STREEP: As new bestseller Julia Child

his pick of projects since his boffo boxoffice Hangover, is set to do a new comedy called Dinner With Schmucks (a title they also would have changed) … rising Aussie hearrthrob Sam Worthington has just signed on to co-star with Charlize Theron in a new thriller called The TouristLeonardo DiCapiro and director Ridley Scott are developing a new version of Aldous Huxley’s Brave New World …  the Walter Cronkite memorial this morning at Avery Fisher Hall is the hottest ticket in New York, and once President Obama arrives, they’ll seal the doors. So latecomers will not be an issue … Vanity Fair literary lion Dominick Dunne will be memorialized tomorrow afternoon at St. Vincent Ferrer Church … and there’s no doubt about it, Meryl Streep and Amy Adams (a.k.a. Julie & Julia) have made Julia Child ‘hot’ again. Good news is, Ms. Child’s famed cookbook Mastering the Art of French Cooking has been reprinted and is #1 on the New York Times bestseller list. Bad news is, my spies tell me the publisher didn’t reprint enough copies and most of the new editions have already been, you should pardon the expression, gobbled up.

UNFORGETTABLE: Besides being brilliant filmmakers, what do Ingmar Bergman, Francis Ford Coppola, Federico Fellini, Victor Fleming,

SCORSESE: two for the show

SCORSESE: two for the show

Alfred Hitchcock, Stanley Kubrick, Akira Kurosawa, Fritz Lang, Jean Renoir, Martin Scorsese, Steven Spielberg, Francois Truffaut and Wong Kar Wai have in common? Of 87, count ‘em, 87 international film directors, they’re the only ones who have more than one movie in The Essential 100, the TIFF film and gallery tribute of 100 films which will open Bell Lightbox next September.  The eye-popping four-month film tribute, which will run to the end of the year, is designed as a showcase for the most influential films of all time. Can’t wait.

ANN-MARGRET: honoured tonight

ANN-MARGRET: honoured tonight

AGE-CANNOT-WITHER DEPT.: She conquered television, movies and Broadway, in that order, and has never stopped working. Am I the only one who can’t believe that Lily Tomlin just celebrated her 70th birthday? … also defying

all the Old standards: Enduring Hollywood icon Ann-Margret, here to be honoured by Best Buddies tonight at the Four Seasons … another ageless screen charmer, Linda Sorensen, is currently in Montreal shooting Barney’s Version … and indefatigable Joan Rivers, a sensational 76, is back in Vegas playing the showroom at the Venetian Hotel.

RIVERS: roasted this weekend

RIVERS: roasted this weekend

“It’s been nearly a decade since I played this town,” she reports, “and boy have a lot of things changed! When I used to perform in Vegas, all of the shows starred married couples. You had Steve & Eydie, Sonny & Cher and my favorites, Siegfried & Roy. One thing, though, has stayed the same—Vegas is the only place where you can see Cher, Bette Midler, Celine Dion and me, all in one night and all played by the same man.”

La Rivers, who is set to play Casino Rama later this month, gets roasted by host Kathy Griffin and a clutch of comedians including Brad Garrett, Carl Reiner and Gilbert Gottfried this weekend on The Comedy Network.

TOMORROW:

Charles Darwin on the Origins Of TIFF, new stage turns for Louise Pitre and Edie Falco, and a celluloid Tree that keeps on growing.

As Hollywood watches, Cher finally thanks her Moonstruck mentor Jewison for her Oscar (at last!)

HOORAY FOR HOLLYWOOD:  When Nicholas Campbell, Angie Dickinson and Shawn Doyle are members of the audience, sitting a few rows ahead of Canadian uber-agent Michael Levine, Beverly Hills columnist George Christy and M.A.S.H. producer Burt Metcalfe, you know there’s something special happening on stage. And what is happening on stage at the L.A. County Museum of Art is very special indeed.

Assembled to tell tales, some tall, some small, are an illustrious clutch of Oscar winners: Classic beauty Eva Marie Saint, still-ravishing screen siren Faye Dunaway, artful cinematographer Haskell Wexler, brilliant songwriters Marilyn & Alan Bergman. Joining them is still-irrepressible funnyman Carl Reiner. Emceeing the evening is veteran film historian Leonard Maltin. And sitting between Maltin and Dunaway is the subject of all their stories, and the object of their bubbling affection: Screen director Norman Jewison.

Reiner and Saint, of course, led the all-star cast of Jewison’s classic comedy hit The Russians Are Coming, The Russians Are Coming;  even before that, Reiner had scripted Jewison’ s curious comedy about marketing immortality, The Art Of Love, with Ms. Dickinson  and Dick Van Dyke. Dunaway had co-starred with Steve McQueen in Jewison’s notorious romantic thriller, The Thomas Crown Affair.  Haskell Wexler owned the eyes behind the camera on such diverse Jewison films as In The Heat Of The Night and Other People’s Money.  And Marilyn & Alan Bergman wrote the original songs, now American standards, that graced such Jewison gems as Best Friends (How Do You Keep The Music Playing) and Thomas Crown Affair (Windmills Of Your Mind.) And all of them have some wonderful tales to tell. But the master story teller, naturally, is Jewison himself. 

When he tells us how Steve McQueen misbehaved on Thomas Crown Affair, going AWOL in a dune buggy while the cast and crew watched the light fade, Dunaway is clearly entranced. “I never knew that!” she exclaims. Thomas Crown was only her third film, she says; Warren Beattywas still locked in the editing room with Bonnie & Clyde,  and Jewison had hired her after seeing her off-Broadway in Hogan’s Goat. And when McQueen disappeared from the set, Jewison had told her to wait in her trailer until he called her. “And I did what I was told!” she adds, chuckling softly.

The  tribute to Jewison is originally slated to run 45-60 minutes, but the hush from the appreciative crowd inspires Maltin to let his all-star gabbers hold sway. Reiner, who played a leading man for the first time in his life in Jewison’s Russians Are Coming, reveals that the director had originally asked him to play the Russian sailor, a plum role that Alan Arkin eventually won. Reiner and Saint further regale the audience with tales of white-knuckle flights to Jewison locations;  Wexler reminds us of Jewison the activist and his deep commitment to U.S. civil rights; and the Bergmans praise him as one of only two directors they’ve worked with (the other, sadly, being his friend, the late Sydney Pollack) whose passion for music gives him a unique  understanding of  the potential of original music in screen storytelling.

The near-capacity crowd is clearly enthralled. Close to the front LACMA honcho Ian Birney, another transplanted Canadian, is grinning happily. Beside him sit the co-hosts of the event, Film Independent’s Dawn Hudson and Canadian Film Centre chief  Slawko Klymkiw, beaming like proud parents. Klymkiw, aided and abetted by Birney and Hudson, has initiated this event (among others) to celebrate the 20th anniversary of the Toronto film centre Jewison founded two decades earlier, and celebrated alumni Christina Jennings and Clement Virgo, among others, are sitting in the theatre with the rest of his fans.

Leonard Maltin is admittedly fascinated by the fact that in addition to international megahits as Jesus Christ Superstar and Fiddler On The Roof, this Canadian director, in his opinion, has  also produced some of the most quintessentially American films ever to come out of Hollywood. And the on-stage showbiz love-in is well into its second hour when Maltin raises the subject of another polished Jewison diamond, Moonstruck, which will be screened immediately following the tribute. And then he utters the magic phrase that so many of us have been hoping to hear.

“Let’s invite Cher up here,” says Leonard Maltin.

A gasp from the audience, a truly all-ages group from 9 to 99, as a woman seated near the front of the house makes her way to the stairs leading up to the stage,  her long black hair a perfect contrast to her stylish white designer duds and funky white fedora. Cher is on stage kissing Reiner, shaking hands with Saint, embracing Dunaway — the audience is standing now, and cheering — and greets Jewison with an enormous bear hug. Cher is in the house, and an already excited crowd is now deliriously beside themselves.

The fun is just beginning. When she confesses she was a “bad kid” on Moonstruck, Jewison smiles in tacit agreement. “But,” he interjects,” you’re a good girl tonight.” Yes, she agrees, she’s a good girl tonight. And she proves it, by telling wonderful anecdotes, revealing and occasionally touching, about the fact that Jewison had to cajole, trick and at times even threaten her to enable her to do the best screen work of her career. 

She tells tales out of school, too, stories that make Jewison laugh out loud. About how he finally got Nicolas Cage to loosen up for a scene by relentlessly goading him until Cage picked up a chair and threw it across the room. “And we were all shocked,” she recalls, “and we all looked at Norman, waiting for him to say something, anything! …  and Norman said, ‘Action!’  And he got the scene he wanted.”

When she and Jewison weren’t at odds with other — a creative tension she now suspects he manufactured, to enhance her performance — they were a formidable tag team. For one thing, they both wanted Cage for her leading man. Cher had seen him in Peggy Sue Got Married, “and I thought he was terrific.”

And Jewison remembers thinking that the young actor, at that time, was clearly “the most tortured soul in Hollywood.”

“So of course Norman and I thought he’d be perfect for the role!” adds Cher, grinning.

When MGM balked at casting Cage, she huddled with Norman and then told her manager to tell the studio she would walk out on the picture if they didn’t hire Cage. “Which, of course, I had no intention of doing!” she add with a guilty grin.

But hey, she and Norman got the leading man they wanted. And the rest, as they say, is history.

Movie history, that is. Which brings me to another piece of movie history.  When Cher won her Best Actress Oscar for Moonstruck, she facetiously thanked her hairdresser and her make-up artist, but neglected to acknowledge the guardian angel of her performance.

On Friday night she makes up for that 20-year-old gaffe.  After a brief intermission she returns to the stage to introduce Moonstruck, and gives the speech she should have given 20 years ago at the Academy Awards. It is short, sweet and unmistakably sincere — a luscious cherry to top a spectacularly rich evening.

* * *

BEV ON THE BEACH: Who was the alabaster blonde walking on the sand with Norman Jewison yesterday? None other than CTV  charmer Beverly Thomson, who got up Friday at 3 a.m., co-hosted the morning edition of Canada A.M., and then hit the airport. An understandably bleary-eyed Thompson made it to Los Angeles in time to attend the tribute at LACMA and yesterday hit the beach to tape an exclusive interview with Jewison in Malibu. And you can see it too, tomorrow morning on CTV.