A living doll named Andriana brings down the (opera) house when Hoffman starts telling his Tales

POWER PLAY: Andriana Chuchman gets re-charged by Steven Cole

SHOCK TREATMENT: You don’t expect a lot of repressed mirth at the opera, even when the themes are tragicomic. But Toronto opera goers are howling with laughter this month at Andriana Chuchman’s diabolically funny performance in the new Canadian Opera Company production of Offenbach’s Tales of Hoffman. In case you’re unfamiliar with the plot, it’s all about a

CHUCHMAN: living doll

romantic poet [Hoffman] who becomes a greater and more insightful poet after he amorously pursues three enigmatic women with disastrous results. Which is where Ms. Chuchman comes in. Hoffman is sure that in the exquisite Olympia he has found the perfect woman –apparently the fact that she sleeps in a glass coffin has somehow eluded him — and vows to make her his own. Alas, Olympia is a mechanical doll, brought to life by jolts of electricity that evoke nostalgic memories of Elsa Lanchester rising to the occasion as the Bride of Frankenstein. As directed by Lee Blakely, clearly a disciple of the Mel Brooks school of drama, and as deftly executed by Winnipeg-born soprano Chuchman, Olympia is a brilliantly bawdy creation, sung with spellbinding precision and a sense of punch-line timing

SHEARER: as Olympia in 1951

worthy of Madeline Kahn. It’s a great role, of course; ballerina Moira Shearer danced it in the award-garnering 1951 screen version more than half a century ago. But the remarkable Ms. Chuchman takes it to a new and hilarious level, and the performance frequently interrupted by spontaneous applause from a most appreciative audience. Her star turn is the diamond in a show filled with gems, including Russell Thomas’ searing Hoffman, Erin Wall‘s tortured Antonia — how often do you get to sing all those great arias about how you’re not supposed to sing? — Steven Cole’s amusing posturing as all four thankless servants and John Relyea‘s tour de force performances as all four demonic villains. Tales of Hoffman is on stage at the Four Seasons Centre for the Performing Arts through May 14, and even with those memorable Offenbach melodies, I predict it’s Ms. Chuchman’s Olympia you’ll still be talking about long after the final curtain comes down.

ALICE & CHESHIRE CAT: her Adventures are bound for L.A.

BALLET HIGH: The National Ballet of Canada will return to L.A. this fall for the first time in 35 years. The company will bring its spectacularly successful production of Alice’s Adventures in Wonderland to the Los Angeles’ Music Center, October 19–21. Closer to home, the National’s celebrated outreach programme YOU Dance is in Thunder Bay this week, introducing students in

BRUEGGERGOSMAN: we've got a crush on her

grades four to six to the world of dance through free workshops and performances. Now only five years old, YOU Dance has already performed free of charge for more than 48,000 students and teachers in Ontario. Hey, somebody’s doing something right …

SHARPS & FLATS: The irrepressible World Rock Symphony Orchestra is back rocking Fallsview Casino this week and next, with homegrown rocker Gowan set to play a three-night stand there on July 11-13 …  the incomparable Measha Brueggergosman serenades fans with songs from her new pop album, I’ve Got A Crush On You,  tonight  at the Markham Theatre and tomorrow night at Trinity St. Paul’s Church …  Jack de Keyzer brings his Blues

HOFFERT: Sunday salons

Revue to the lakefront this weekend with a Saturday night gig at the Riverview Room atop the Port Credit Legion … and always-in-demand music man Tom Szczesniak joins Paul Hoffert’s Sunday afternoon jazz salon at Musideum this weekend.

OUR TOWN: Super shutterbug Barbara Cole’s new photo exhibit, Two People Walking A Tightrope In An Ordinary Life Filled With Extraordinary Moments – love that title! – is now on view at the Baux-XI Photo gallery across from the AGO … Grace Restaurant on College Street celebrated its fourth birthday this week with a new chef, Kevin Gastonguay, replacing exiting rave-maker Dustin Gallagher … still in a festive mood, Esmeralda Enrique Spanish Dance Company celebrates its 30th Anniversary this week with tonight’s world premiere of Aguas/Waters at the Fleck Dance Theatre at Harbourfront. Aquas/Waters is choreographed by Artistic Director Esmeralda Enrique and Juan Ogalla, who won the Dora Mavor Moore Award for Outstanding Dance Performance last year.

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The more the merrier as stars bring sunshine to Leacock sketches — and to Toronto stages too

Okay — where was I? Oh yes, I remember. Taking a break from blogging. Apparently that’s over now.

EVERYBODY’S TALKING:  And no wonder — the first glimpses of CBC’s big Sunday night movie, Sunshine Sketches Of A Little Town, look sumptuous. And I admit it — I’m a sucker for an all-star cast. Not that the producers, Alliance

HENNESSY & PINSENT: Mother & Son

Atlantis alumni Michael MacMillan and Seaton McLean, had much trouble reeling them in. “One of the best screenplays I’ve ever read,” says leading lady Jill Hennessy. Ms Hennessy,  currently on screen wrangling Dustin Hoffman on HBO’s new series Luck, clearly loved every minute of the summer shoot, as did Gordon Pinsent, who plays her son. (Yes. Really. You’ll have to watch it to find out.) Pinsent, who starts shooting a new movie in Mexico next week, describes it as “one of those rare filming experiences when we couldn’t wait to get to work in the morning.” Then again, Hennessy and Pinsent were

KHANIJAN: on stage

keeping some very good company. Among the stellar marquee names bringing Stephen Leacock‘s classic comedy drama to life are Keshia Chante, Sean Cullen, Ron James, Peter Keleghan, Debra McGrath, Patrick McKenna, Colin Mochrie, Eric Peterson, Leah Pinsent, Caroline Rhea, Rick Roberts and Michel Therriault. Get those PVRs warmed up, folks — this one sounds like a keeper.

TALKING THE TALK: Ryerson Theatre Club devotees were among the hundreds of floodlights fans at Tuesday’s performance of Cruel And Tender  at the Bluma Appel. After their stunning 90 minute tour-de-force, stars Arsinée Khanijan and Daniel Kash joined their director Atom Egoyanin the theater lobby for a 15-minute Q&A with interested audience members. How interested were they? Theater Club reps had to call a halt after 40 minutes, but some folks still hung

BROCHU: return engagement

around just long enough to meet Egoyan and share their take on his production of Martin Crimp’s reimagined Greek tragedy. The hypnotic drama runs through next Saturday Feb. 18 … Jim Brochu has returned with his celebrated salute to Zero Mostel, Zero Hour, directed by Piper Laurie (yes, that Piper Laurie) … and no, his reviews this time ’round were not exactly love letters, but clearly Ronnie Burkett’s audiences disagree. Factory Theatre has added six more performances of the marionette master’s new show, Penny Plain, with tickets now available through March 4 … meanwhile, Robert LePage’s Blue Dragon continues to dazzle at the Royal Alex, In The Heights continues to rock North York at the Toronto Centre For The Arts, War Horse opens tonight at the Princess Of Wales and Potted Potter opens tomorrow night at the Panasonic. Talk about an embarrassment of theatrical riches!

COMEBACKS: Great news for those of us who missed them first time ‘round — two rave-winning theatrical events are set to return to our town. Kim’s Convenience, the runaway hit by Soulpepper Academy alumnus Ins Choi, wraps up its current run this weekend but will be back May 17-June 9. And yes,

DUNCAN: showstopper

it’s a good idea to order your tickets now. As you may recall, the play about a Regent Park Korean convenience store was the sleeper hit of the 2011 Toronto Fringe Festival … and the National Ballet will launch its 2012-2013 season with the return of Alice’s Adventures in Wonderland by Christopher Wheeldon on November 10–25. A co-production with England’s Royal Ballet, Alice was an SRO smash when it premiered here last year. And yes, it’s a good idea to order those tickets now too … meanwhile, stage and screen showstopper Arlene Duncan, so endearing as the unsinkable Fatima in Little Mosque On The Prairie, is winning standing Os nightly at the Berkeley Street Theatre. Ms Duncan is the crown jewel in Caroline, Or Change, the latest theatrical gem from the phenomenal Acting Up stage company. CanStage and Acting Up added one more show of the musical last night to accommodate public demand, but all 25 scheduled performances sold out so quickly that surely an encore should be considered? And soon, please?

COTE: Lost In Motion

SEE/HEAR:  National Ballet star dancer Guillaume Côté is the latest hot ticket on YouTube with his  stunning short film Lost in Motion. Directed by Ben Shirinian and choreographed by Guillaume, the three-minute film really is something to see — even if it makes you want to join a gym before it ends. The high-flying M’sieu Côté will be performing with Kings of the Dance in Manhattan February 24–27  — d”ya suppose he made that video just to freak ’em out? — before returning to star in Sleeping Beauty, March 10–18, 2012, and The Seagull, March 21–25, 2012. Meanwhile, if you haven’t seen Lost In Motion yet, you don’t have to take my word for it — just click here. And enjoy!

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Majumder raises the roof, Atwood tells tales of Twitter, Alice fever sizzles & Rivers takes another bite of Reality

NO PEOPLE LIKE SHOW PEOPLE: Howcum funnyman Shaun Majumder keeps shining in dramas? First it was 24, then his recent stint on Republic Of Doyle, and now the ABC series 187 Detroit. (187 is police code for homicide.) Can Shaun do a spot-on impression

MAJUMDER: raising the roof

of series star Michael Imperioli (a.k.a. Christopher on The Sopranos)? Ask him yourself when he jets in from L.A. to headline his favourite comedy fund-raiser Raising the Roof, April 16 & 17 at The Rivoli … it’s not her fault, okay? Margaret Atwood sez her Twitter pals egged her on. Which is why she’s finally telling all – okay, almost all – about her adventures in TwitterLand in the New York Review of Books, right here …  …. Jake Doyle’s prodigal brother Christian returns to the Rock, much to his younger brother’s dismay, on Allan Hawco’s hit series Republic Of Doyle tonight at 9 pm on CBC-TV … and Joan Rivers and her producer daughter Melissa are reportedly set to do a new reality show about Joan moving in with Melissa, grandson Cooper and Melissa’s current squeeze Jason in L.A.. Says blogger Paula Froelich: “This will rock harder than Poison at Spring Break.” Froelich joined Rivers & Co. for their Passover seder at Melissa’s house in Pacific Palisades. To read her Daily Beast report, click here.

ALICE: Disney classic

BALLET HIGH: Highlight of the National Ballet’s summer season next year should be British Choreographer Christopher Wheeldon’s new full-length, two-act interpretation of Alice’s Adventures in Wonderland, a co-production between the National Ballet and The Royal Ballet (UK). with a commissioned score by British composer Joby Talbot. Neither Tim Burton nor Johnny Depp have anything to do with this one as far as we know — but isn’t it odd how Lewis Carroll’s peculiar heroine has returned to the collective consciousness? Now Disney, whose magicians created the original Un-Birthday song, is celebrating the Un-Anniversary of its 1951 animated classic by

KAIN: a once-and-future Alice

reissuing it on DVD before Burton’s wacky new 3-D Alice hits the stores.  The new ballet version, Alice’s Adventures in Wonderland, will debut first in London in February 2011 and then here in Toronto, June 4 – 12, 2011 …  meanwhile, NBOC chief Karen Kain sent the company’s notable outreach mini-show Dance About to Ontario’s Near North District School Board yesterday for two performances, at Maple Ridge Public School in Powassan and Sundridge Centennial Public School in Sundridge … and happy anniversary to the American Ballet Theatre, set to celebrate its 70th (!!) season May 17-July 10 at the Met. And speaking of Twitter, and aren’t we always, at both the ABT and the New Yotk City Ballet there are no policies on dancers’ increasing participation on Twitter. Says New York Times writer Gia Kourlas: “At the moment the relationship between tech-savvy dancers and company administrators seems to be akin to a child showing a parent how to use e-mail.”  To read her amusing account of young ballet stars who “now tweeter as well as flutter,” click here.

PETERSON: in memory

THE LEGACY LIVES ON: One aspiring musician entering a music program at York University this fall will be the lucky recipient of the first $40,000 Oscar Peterson scholarship, allowing them to pursue their dreams. The new Peterson program will also offer up to four $10,000 annual scholarships for current undergraduate music students. Meanwhile, Peterson acolytes Peter Herrndorf, Brian Robertson, Bob Rae, Bill Davis and Tommy Banks are among the boosters soliciting donations for a life-size bronze sculpture of the jazz great to sit outside the National Arts Centre in Ottawa. The statue of Peterson at a grand piano — created by Canadian sculptor Ruth Abernethy, the artist responsible for the stunning bronze of Glenn Gould outside the CBC Broadcast Centre in Toronto — will be unveiled on June 30 as part of Canada Day celebrations.

TOMORROW:

Is Justin Bieber just too hot?

And, celebrating ‘Tony’s’ first lady.

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