A living doll named Andriana brings down the (opera) house when Hoffman starts telling his Tales

POWER PLAY: Andriana Chuchman gets re-charged by Steven Cole

SHOCK TREATMENT: You don’t expect a lot of repressed mirth at the opera, even when the themes are tragicomic. But Toronto opera goers are howling with laughter this month at Andriana Chuchman’s diabolically funny performance in the new Canadian Opera Company production of Offenbach’s Tales of Hoffman. In case you’re unfamiliar with the plot, it’s all about a

CHUCHMAN: living doll

romantic poet [Hoffman] who becomes a greater and more insightful poet after he amorously pursues three enigmatic women with disastrous results. Which is where Ms. Chuchman comes in. Hoffman is sure that in the exquisite Olympia he has found the perfect woman –apparently the fact that she sleeps in a glass coffin has somehow eluded him — and vows to make her his own. Alas, Olympia is a mechanical doll, brought to life by jolts of electricity that evoke nostalgic memories of Elsa Lanchester rising to the occasion as the Bride of Frankenstein. As directed by Lee Blakely, clearly a disciple of the Mel Brooks school of drama, and as deftly executed by Winnipeg-born soprano Chuchman, Olympia is a brilliantly bawdy creation, sung with spellbinding precision and a sense of punch-line timing

SHEARER: as Olympia in 1951

worthy of Madeline Kahn. It’s a great role, of course; ballerina Moira Shearer danced it in the award-garnering 1951 screen version more than half a century ago. But the remarkable Ms. Chuchman takes it to a new and hilarious level, and the performance frequently interrupted by spontaneous applause from a most appreciative audience. Her star turn is the diamond in a show filled with gems, including Russell Thomas’ searing Hoffman, Erin Wall‘s tortured Antonia — how often do you get to sing all those great arias about how you’re not supposed to sing? — Steven Cole’s amusing posturing as all four thankless servants and John Relyea‘s tour de force performances as all four demonic villains. Tales of Hoffman is on stage at the Four Seasons Centre for the Performing Arts through May 14, and even with those memorable Offenbach melodies, I predict it’s Ms. Chuchman’s Olympia you’ll still be talking about long after the final curtain comes down.

ALICE & CHESHIRE CAT: her Adventures are bound for L.A.

BALLET HIGH: The National Ballet of Canada will return to L.A. this fall for the first time in 35 years. The company will bring its spectacularly successful production of Alice’s Adventures in Wonderland to the Los Angeles’ Music Center, October 19–21. Closer to home, the National’s celebrated outreach programme YOU Dance is in Thunder Bay this week, introducing students in

BRUEGGERGOSMAN: we've got a crush on her

grades four to six to the world of dance through free workshops and performances. Now only five years old, YOU Dance has already performed free of charge for more than 48,000 students and teachers in Ontario. Hey, somebody’s doing something right …

SHARPS & FLATS: The irrepressible World Rock Symphony Orchestra is back rocking Fallsview Casino this week and next, with homegrown rocker Gowan set to play a three-night stand there on July 11-13 …  the incomparable Measha Brueggergosman serenades fans with songs from her new pop album, I’ve Got A Crush On You,  tonight  at the Markham Theatre and tomorrow night at Trinity St. Paul’s Church …  Jack de Keyzer brings his Blues

HOFFERT: Sunday salons

Revue to the lakefront this weekend with a Saturday night gig at the Riverview Room atop the Port Credit Legion … and always-in-demand music man Tom Szczesniak joins Paul Hoffert’s Sunday afternoon jazz salon at Musideum this weekend.

OUR TOWN: Super shutterbug Barbara Cole’s new photo exhibit, Two People Walking A Tightrope In An Ordinary Life Filled With Extraordinary Moments – love that title! – is now on view at the Baux-XI Photo gallery across from the AGO … Grace Restaurant on College Street celebrated its fourth birthday this week with a new chef, Kevin Gastonguay, replacing exiting rave-maker Dustin Gallagher … still in a festive mood, Esmeralda Enrique Spanish Dance Company celebrates its 30th Anniversary this week with tonight’s world premiere of Aguas/Waters at the Fleck Dance Theatre at Harbourfront. Aquas/Waters is choreographed by Artistic Director Esmeralda Enrique and Juan Ogalla, who won the Dora Mavor Moore Award for Outstanding Dance Performance last year.

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One response to “A living doll named Andriana brings down the (opera) house when Hoffman starts telling his Tales

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