Greenwood shines for Beresford, Google scoops up Bawden, and it’s a wrap! — almost — as TIFF gets set to hand out some heavyweight hardware

NO PEOPLE LIKE SHOW PEOPLE: Stratford scene-stealer Geraint Wyn-Davies, currently winning raves for his joyful performance as Bottom in

FOX: on The Hour

FOX: on The Hour

Midsummer Night’s Dream, will take his next play out of town before opening in Stratford next summer. He plans to test his one-man show Do Not Go Gentle, by Leon Pownall, about the life of Dylan Thomas, in New York, where he’ll open a limited run this winter … Google, who continue to be two steps ahead of all other search engines, have reportedly snapped up esteemed Toronto Star alumnus Jim Bawden to cover the Canadian television scene. Smart move, guys! But then, that’s what makes Google Google George Stroumboulopoulos kicks off his sixth

McLACHLAN: dragon lady

McLACHLAN: Dragon lady

season of The Hour with a 60-minute one-on-one with Michael J. Fox … and yes, that was Sarah McLachlan looking lovely at the CBC Fall Launch. She showed up to cheer on her current squeeze, Dragons’ Den panelist Brett Wilson.

FILMFEST FOLLIES: Now that we’re getting close to the finish line, hot titles emerging from this year’s Toronto International Film Festival include Atom Egoyan’s Chloe, Bruce Beresford’s Mao’s Last Dancer, Rodrigo Garcia’s Mother & Child, Lee Daniels’ Precious,

BONO: at TIFF

BONO: at TIFF

Ruba Nadda’s Cairo Time, Tom Ford’s A Single Man, Lone Sherfig’s An Education, Jason Reitman’s Up In The Air, Joel & Ethan Coen’s A Serious Man, and Brigitte Berman’s controversial celluloid portrait of Hugh Hefner. Should be interesting to see who finishes in the money when TIFF prize-winners are announced tomorrow afternoon stars continue to shine where and when you least expect them to. My spies tell me Jason Reitman devotee Aaron Eckhart slipped in to see Up In The Air last weekend.’Bono showed up for his pal Colin Farrell at the unveiling of Neil Jordan’s Ondine. Geoffrey Rush

CAINE: conversing

CAINE: conversing

came out to cheer for Michael Sheen in Tom Hooper’s The Damned United. And Sam Neill was among the eager onlookers who raised hands to ask questions when Harry Brown hero Michael Caine participated in a 90-minute on-stage Conversation with Seamus O’Regan … and at the initial screening of Lars Von Trier’s AntiChrist, which premiered the first night of the festival, my spies report that midway through the film “someone actually fainted and caused a bit of a scene when they toppled onto the row in front of them, totally alarming those people. Talk about a perfect way to start a film festival!!”

SMITH: great quotes

SMITH: great quotes

QUOTABLE QUOTES: “A lot of things have disappeared as I have grown older and a lot of wrinkles and flab have suddenly appeared. But whatever I’ve lost, I still have great legs. As the late actress Kitty Carlisle Hart used to say as she showed her gams at age 90, ‘The legs are the last to go.’ Kitty had a good life motto. She looked at herself every morning in the mirror and said, ‘Kitty, I forgive you!’”

The speaker? Liz Smith, who just keeps wowing us with her wit ‘n’ wisdom on wowOwow.com.

TOGETHER AGAIN (ALMOST): It’s been years since they co-starred at the then Pantages in Phantom Of The Opera, but Colm Wilkinson and Rebecca

GREENWOOD: "spectacularly good"

GREENWOOD: spectacular

Caine continue to brighten stage and screens. Wilkinson was here this week to promote The Tudors at CBC’s elegant mid-week Fall Launch. In the new season he plays an antagonist who Henry VIII summarily executes. “But they must have liked what I did, because they’ve asked me return as a ghost!” Meanwhile, the glory-voiced Ms Caine is set to headline her own concert show, Raising Caine, next Sunday Sept. 27 at the new Conservatory Theatre … and speaking of dynamic duos, Twin Peaks alumni Kyle MacLachlan and Joan Chen are only two of the reasons why TIFF showstopper Mao’s Last Dancer is such a riveting film. Credit director Bruce Beresford for hiring Bruce Greenwood to play the U.S. choreographer with his own agenda. Greenwood, who delivers a brilliantly nuanced performance,  is spectacularly good. But then, so is the movie. Don’t miss it.

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